"Delusion of the Fury: Act II: Treats with Life and with Life Despite Life: Arrest, Trial and Judgement (Joy in the Marketplace!)" by Harry Partch, John Stannard, Victoria Bond, Paul Bergen, Ensemble of Unique Instruments, Danlee Mitchell was released on January 1, 1999. With this song being about 5 minutes long, at 4:43, "Delusion of the Fury: Act II: Treats with Life and with Life Despite Life: Arrest, Trial and Judgement (Joy in the Marketplace!)" by Harry Partch, John Stannard, Victoria Bond, Paul Bergen, Ensemble of Unique Instruments, Danlee Mitchell is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Partch, H.: Delusion of the Fury". In this album, this song's track order is #13. Based on our statistics, Delusion of the Fury: Act II: Treats with Life and with Life Despite Life: Arrest, Trial and Judgement (Joy in the Marketplace!)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Delusion of the Fury: Act II: Treats with Life and with Life Despite Life: Arrest, Trial and Judgement (Joy in the Marketplace!) by Harry Partch, John Stannard, Victoria Bond, Paul Bergen, Ensemble of Unique Instruments, Danlee Mitchell having a テンポ of 129 with a half-time of 64 テンポ and a double-time of 258 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hyōjō Netori | Nippon Gagaku Kai | E Major | 0 | 12B | 64 BPM | ||
Kono Yoni Yomeri (Sono 2) | Yasuaki Shimizu | C Major | 0 | 8B | 126 BPM | ||
Jahla (Music for Harp) - 1972 | Lou Harrison, Floraleda Sacchi | A♭ Major | 0 | 4B | 132 BPM | ||
Sita Ram | Alice Coltrane | F Major | 4 | 7B | 108 BPM | ||
In C: Part 01 | Terry Riley, Blindman Kwartet, Ictus | C Major | 2 | 8B | 129 BPM | ||
Boundary | Dept. Mind | A♭ Major | 5 | 4B | 106 BPM | ||
Deep Hockets | Stuart Dempster, Pauline Oliveros, David Gamper, Deep Listening Band | D Minor | 1 | 7A | 89 BPM | ||
Ketawang: Puspawarna | Nonesuch Explorer Series | C Minor | 2 | 5A | 139 BPM | ||
Umi e (Toward the Sea): III - Cape Cod | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | A♭ Major | 0 | 4B | 73 BPM | ||
Chill Guitar Waves and Echo | Human lofi | E♭ Minor | 0 | 2A | 66 BPM |