"Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 4, Storm" by Benjamin Britten, André Previn, London Symphony Orchestra was released on January 1, 1976. With this song being about 5 minutes long, at 4:35, "Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 4, Storm" by Benjamin Britten, André Previn, London Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 8 in Britten: Four Sea Interludes, Passacaglia from Peter Grimes & Sinfonia da Requiem by Benjamin Britten, André Previn, London Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 4, Storm is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 4, Storm by Benjamin Britten, André Previn, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 101 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Yo-Yo Ma, André Previn, London Symphony Orchestra | C Minor | 1 | 5A | 109 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Clarinet Concerto in C Minor, Op. 31: I. Allegro vigoroso | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | A♭ Major | 1 | 4B | 79 BPM | ||
Prince Igor (Knyaz Igor): Act II: Dance of the Polovtsian Maidens | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | F Major | 2 | 7B | 95 BPM | ||
Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Margaret Marshall, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | A♭ Major | 1 | 4B | 105 BPM | ||
Early One Morning | Traditional, Sir Peter Pears, Benjamin Britten | F♯ Major | 0 | 2B | 113 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Britten: Serenade for Tenor, Horn and Strings, Op. 31: VIII. Epilogue | Benjamin Britten, Ian Bostridge | B♭ Major | 0 | 6B | 134 BPM | ||
Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 88 BPM | ||
Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace | Ludwig van Beethoven, London Symphony Orchestra, Yondani Butt | F Major | 2 | 7B | 133 BPM |