William Grant Still, Catalyst Quartet's 'Lyric Quartette: III. The Jovial One' came out on February 3, 2023. The duration of Lyric Quartette: III. The Jovial One is about 3 minutes long, at 3:20. Based on our data, "Lyric Quartette: III. The Jovial One" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 9 in the song's album "Uncovered, Vol. 3: Coleridge-Taylor Perkinson, William Grant Still & George Walker". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. In terms of popularity, Lyric Quartette: III. The Jovial One is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Lyric Quartette: III. The Jovial One by William Grant Still, Catalyst Quartet having a テンポ of 116 with a half-time of 58 テンポ and a double-time of 232 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Poèmes "Le rossignol éperdu" (Excerpts): No. 26, Mirage | Reynaldo Hahn, Sofja Gülbadamova | F♯ Major | 0 | 2B | 68 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
By the Still Waters, Op. 114 | Amy Beach, Isata Kanneh-Mason | D♭ Major | 0 | 3B | 76 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
Dido and Aeneas, Z. 626: When I am Laid in Earth (Dido's Lament, Arr. for Cello & Orchestra by Julian Riem) | Henry Purcell, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds | G Minor | 1 | 6A | 79 BPM | ||
Rêverie, L. 68 | Lang Lang | F Major | 0 | 7B | 67 BPM | ||
4 Chansons sans paroles, Op. 14: No. 2, Andante cantabile | Alfons Szczerbiński, Giorgio Koukl | D♭ Minor | 2 | 12A | 66 BPM | ||
Infinity | Rosey Chan | E♭ Major | 0 | 5B | 67 BPM | ||
Symphony No. 1 in A-Flat Major "Afro-American": II. Sorrow. Adagio | William Grant Still, Royal Philharmonic Orchestra, Karl Krueger | F Major | 1 | 7B | 83 BPM | ||
Song Book: The Man I Love. Slow and in singing style | George Gershwin, Frank Braley | F Minor | 0 | 4A | 69 BPM |