Aya Korem's 'צלצולי פעמונים' came out on June 26, 2011. With this song being about 5 minutes long, at 5:12, "צלצולי פעמונים" by Aya Korem is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in לאלף את הסוסים, so we believe that "צלצולי פעמונים" is a single. In terms of popularity, צלצולי פעמונים is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of צלצולי פעמונים by Aya Korem is Andante (at a walking pace), since this song has a tempo of 102 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
עכשיו או לעולם | Idan Rafael Haviv | F Minor | 3 | 4A | 127 BPM | ||
גאולה | Hemi Rudner | G Major | 5 | 9B | 73 BPM | ||
טוליק | Oshik Levy | B Minor | 6 | 10A | 109 BPM | ||
שיר תת-מודע זמני | Meir Ariel | D Minor | 3 | 7A | 96 BPM | ||
נחום וציונה | Erez Lev Ari | B♭ Minor | 6 | 3A | 82 BPM | ||
עכשיו אתה | Aya Korem | F♯ Major | 4 | 2B | 136 BPM | ||
תשאירי לי מקום לחבק אותך | Avtipus | D Major | 6 | 10B | 140 BPM | ||
הו ארץ אהבתי | Shmulik Kraus | C Major | 3 | 8B | 176 BPM | ||
בא מן השתיקה | Kobi Aflalo | A Minor | 0 | 8A | 79 BPM | ||
נסיעות ארוכות | Gil Bar Hadas | E Minor | 1 | 9A | 170 BPM |