"Concertino bianco: 1. Con intenerimento" by Georgs Pelēcis, Johannes Fritzsch, Tamara-Anna Cislowska, Tasmanian Symphony Orchestra was released on September 8, 2017. Concertino bianco: 1. Con intenerimento is about six minutes long, preciously at 6:17, making this song fairly long compared to other songs. The track order of this song in Johannes Fritzsch, Tasmanian Symphony Orchestra, Tamara-Anna Cislowska's "Into Silence: Pärt | Vasks | Górecki | Pelēcis" album is number 1 out of 18. In terms of popularity, Concertino bianco: 1. Con intenerimento is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concertino bianco: 1. Con intenerimento by Georgs Pelēcis, Johannes Fritzsch, Tamara-Anna Cislowska, Tasmanian Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 97 テンポ, a half-time of 48テンポ, and a double-time of 194 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Street (harp solo): Station IV. Jesus meets his Mother | Nico Muhly, Alice Goodman, Parker Ramsay | C Major | 0 | 8B | 87 BPM | ||
Dreaming, Op. 15 No. 3 | Amy Beach, Ambache | F Major | 0 | 7B | 75 BPM | ||
Delius: 2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring | Frederick Delius, Vernon Handley, London Philharmonic Orchestra | A Minor | 2 | 8A | 130 BPM | ||
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 110 BPM | ||
The Piano: The Heart Asks Pleasure First | Michael Nyman, Valentina Lisitsa | A Minor | 0 | 8A | 159 BPM | ||
On the Nature of Daylight (Arr. Mackay) | Jess Gillam, Jess Gillam Ensemble | B♭ Minor | 1 | 3A | 135 BPM | ||
Tomorrow | Annelie, Esther Abrami | C Minor | 1 | 5A | 172 BPM | ||
Mia | Wide Eyed | A Major | 2 | 11B | 85 BPM | ||
Appalachian Spring - 1945 Suite: 1. Very slowly | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | A Major | 0 | 11B | 71 BPM | ||
Colette | Thomas Adès | D♭ Major | 0 | 3B | 131 BPM |