"Jesus Christus, unser Heiland" by Samuel Scheidt, Harmonia Recorder Ensemble was released on August 17, 2018. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 25 in the song's album "Renaissance Consort Music, Vol. 1". In this album, this song's track order is #15. Jesus Christus, unser Heiland is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Jesus Christus, unser Heiland by Samuel Scheidt, Harmonia Recorder Ensemble having a テンポ of 70 with a half-time of 35 テンポ and a double-time of 140 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Flat Consort for My Cousin Kemble, Suite No. 5 in A Minor and A Major: II. Galliard | Matthew Locke, Phantasm, Elizabeth Kenny | E♭ Major | 1 | 5B | 115 BPM | ||
Doni Lute Book: Canario | Giovanni Girolamo Kapsberger, Jakob Lindberg | G Major | 1 | 9B | 76 BPM | ||
Se la face ay pale | Guillaume Dufay, Ciaramella | E♭ Major | 1 | 5B | 120 BPM | ||
Suite No. 1 in G Minor: III. Courante | Matthew Locke, Fretwork, Sergio Bucheli, Silas Wollston | B Major | 1 | 1B | 104 BPM | ||
Aria | Johann Sebastian Bach, Andrew Lawrence-King | C Major | 0 | 8B | 108 BPM | ||
Selig sind die Toten, Op. 11, No. 23, SWV 391 | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 67 BPM | ||
Armoniosi toni di varie suonate musicali, Op. 7: Tocatta | Giovanni Battista Granata, Pierre Pitzl, Private Musicke | A♭ Minor | 0 | 1A | 135 BPM | ||
Susato: 12 Dances from the Danserye: II. Branle Quatre - Bransles | Tylman Susato, Early Music Consort Of London | G Major | 2 | 9B | 64 BPM | ||
Comment peult | Josquin des Prez, Harmonia Recorder Ensemble | C Major | 0 | 8B | 63 BPM | ||
Pavane de la tromba hollandica | Maurice of Hesse-Kassel, Capella De La Torre, Katharina Bauml | C Major | 1 | 8B | 74 BPM |