Kurt Weill, Meriel Dickinson, Mary Thomas, Philip Langridge, Ian Partridge, Benjamin Luxon, London Sinfonietta, David Atherton's 'Happy End (1929) / Part 3 - Songs of the Rival Armies: 14. The little lieutenant of the loving God II' came out on January 1, 1976. The duration of Happy End (1929) / Part 3 - Songs of the Rival Armies: 14. The little lieutenant of the loving God II is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Happy End (1929) / Part 3 - Songs of the Rival Armies: 14. The little lieutenant of the loving God II's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weill: Kleine Dreigroschenmusik; Mahagonny Songspiel; Happy End; Berliner Requiem; Violin Concerto by Kurt Weill, London Sinfonietta, David Atherton. The song's track number on the album is #14 out of 42 tracks. In terms of popularity, Happy End (1929) / Part 3 - Songs of the Rival Armies: 14. The little lieutenant of the loving God II is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Happy End (1929) / Part 3 - Songs of the Rival Armies: 14. The little lieutenant of the loving God II by Kurt Weill, Meriel Dickinson, Mary Thomas, Philip Langridge, Ian Partridge, Benjamin Luxon, London Sinfonietta, David Atherton has a tempo of 110 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Happy End (1929) / Part 3 - Songs of the Rival Armies: 14. The little lieutenant of the loving God II being at 110 テンポ, the half-time would be 55 テンポ with a double-time of 220 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Du bist die Ruh', Op. 59/3, D.776 | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | C Major | 0 | 8B | 80 BPM | ||
Valse triste, Op. 44, No. 1 (From "Kuolema") | Jean Sibelius, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | D♭ Major | 1 | 3B | 60 BPM | ||
Play Piano Play (10 Übungsstücke für Yuko): VI. Presto possibile | Glenn Gould, Friedrich Gulda, Sasha Grynyuk | B♭ Minor | 3 | 3A | 152 BPM | ||
Treemonisha / Act one: No. 4 We're goin' around (A Ring Play) | Scott Joplin, Kenneth Hicks, Houston Grand Opera Chorus, Houston Grand Opera Orchestra, Gunther Schuller | G Major | 5 | 9B | 111 BPM | ||
Verschwiegene Liebe - Voice | Hugo Wolf, Barbra Streisand | D Major | 0 | 10B | 91 BPM | ||
Treemonisha / Act one: No. 1 Overture | Scott Joplin, Houston Grand Opera Orchestra, Gunther Schuller | B♭ Major | 3 | 6B | 154 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
Let's Be Happy (Arr. G. Frost) | Traditional, Martin Fröst, Christian Svarfvar, Asa Thedeen, Göran Fröst, Torleif Thedéen, Svante Henryson | B♭ Major | 2 | 6B | 109 BPM | ||
4 Letzte Lieder, TrV 296: No. 2, September | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | F♯ Major | 1 | 2B | 81 BPM | ||
Dido and Aeneas / Act III: "Thy Hand, Belinda...When I Am Laid in Earth" | Henry Purcell, Anne Sofie von Otter, The English Concert, Trevor Pinnock | G Minor | 1 | 6A | 82 BPM |