Richard Strauss, Lisa della Casa, Wiener Philharmoniker, Karl Böhm's 'Vier letzte Lieder, TrV 296: 1. Frühling' came out on January 1, 2000. The duration of Vier letzte Lieder, TrV 296: 1. Frühling is about 3 minutes long, at 3:19. Based on our data, "Vier letzte Lieder, TrV 296: 1. Frühling" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Strauss, R.: Vier letzte Lieder". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Vier letzte Lieder, TrV 296: 1. Frühling's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Vier letzte Lieder, TrV 296: 1. Frühling by Richard Strauss, Lisa della Casa, Wiener Philharmoniker, Karl Böhm having a テンポ of 129 with a half-time of 64 テンポ and a double-time of 258 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Fledermaus: Overture | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 109 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal: Allegro non troppo | Hector Berlioz, Slovak Radio Symphony Orchestra, Pinchas Steinberg | C Major | 1 | 8B | 118 BPM | ||
Symphony No. 8 in C Minor, Op. 65: III. Allegro non troppo | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | F Major | 5 | 7B | 167 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | E Minor | 1 | 9A | 96 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61: No. 1, Scherzo | Felix Mendelssohn, London Symphony Orchestra, Alexander Knox, John Eliot Gardiner | G Minor | 1 | 6A | 134 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor | Sergei Rachmaninoff, Sviatoslav Richter | E♭ Major | 0 | 5B | 70 BPM | ||
Die Frau ohne Schatten, Op. 65, TrV 234, Act I: Act I: Licht uberm see (Amme, Geisterbote) | Richard Strauss, Frankfurter Opern- und Museumsorchester, Tanja Ariane Baumgartner, Dietrich Volle, Sebastian Weigle | E Major | 3 | 12B | 125 BPM | ||
3 Bavarian Dances: No. 1 | Edward Elgar, New Zealand Symphony Orchestra, James Judd | F♯ Minor | 2 | 11A | 145 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM |