"Hébé, Op. 2 No. 6" by Ernest Chausson, Axel Bauni, Stella Doufexis was released on 2006. The duration of Hébé, Op. 2 No. 6 is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Hébé, Op. 2 No. 6's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Sketches of Greece". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Germany. Hébé, Op. 2 No. 6 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hébé, Op. 2 No. 6 by Ernest Chausson, Axel Bauni, Stella Doufexis having a テンポ of 85 with a half-time of 42 テンポ and a double-time of 170 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Myrthen, Op. 25: No. 3. Der Nussbaum | Robert Schumann, Margaret Price, James Lockhart | G Major | 0 | 9B | 65 BPM | ||
Duparc: L'Invitation au voyage | Henri Duparc, Elsa Dreisig | C Minor | 1 | 5A | 126 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
Requiem, Op.48: 7. In Paradisum (Chorus) | Gabriel Fauré, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus London | D Major | 0 | 10B | 63 BPM | ||
Die Lustige Witwe: Es lebt eine Vilja, ein Waldmägdelein (Vilja-Lied / Act 2) [Léon & Stein] | Franz Lehár, Lucia Popp, Ambrosian Opera Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 79 BPM | ||
Drei Lieder, Op. 64: Drei Lieder, Op. 64: III. Fragen | Johannes Brahms, Christoph Berner, Werner Güra, Stella Doufexis, Konrad Jarnot, Marlis Petersen | A Major | 3 | 11B | 68 BPM | ||
Carmina Burana / 3. Cour d'amours: "In trutina" | Carl Orff, Barbara Bonney, Wiener Philharmoniker, André Previn | B♭ Major | 2 | 6B | 137 BPM | ||
O leggiadri occhi belli | Anonymous, Cecilia Bartoli, György Fischer | A♭ Major | 1 | 4B | 73 BPM | ||
Linden Lea | Ralph Vaughan Williams, Ian Bostridge | G Major | 0 | 9B | 99 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM |