Philippe Verdelot, Ora Singers's 'Letamini in Domino' came out on September 23, 2016. The duration of Letamini in Domino is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Letamini in Domino's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Refuge from the Flames". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Letamini in Domino is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Letamini in Domino by Philippe Verdelot, Ora Singers having a テンポ of 95 with a half-time of 48 テンポ and a double-time of 190 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lachrimae or Seven Tears: XX. Mrs Nichols's Alman | John Dowland, Phantasm, Elizabeth Kenny | F♯ Minor | 1 | 11A | 168 BPM | ||
Tenebrae Responsories for Maundy Thursday: In monte Oliveti: d. Presa. Spiritus quidem promptus est | Carlo Gesualdo, Owain Park, The Gesualdo Six | D Minor | 2 | 7A | 69 BPM | ||
Baggepipes | Thomas Ford, Hille Perl, Marthe Perl | E Major | 0 | 12B | 60 BPM | ||
Tallis: Sancte Deus - 2. Sancte Et Immortalis | The Tallis Scholars, Peter Phillips | C Major | 1 | 8B | 134 BPM | ||
Dulces exuviae | Marbrianus de Orto, Capilla Flamenca, Patrick Denecker | A Minor | 2 | 8A | 67 BPM | ||
Surrexit Christus a 11 (C66) | Giovanni Gabrieli, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 81 BPM | ||
Mirabile mysterium | Jacobus Gallus, Owain Park, The Gesualdo Six | E Major | 1 | 12B | 125 BPM | ||
Si mon amour | Jacob Clemens non Papa, Harmonia Recorder Ensemble | C Major | 0 | 8B | 79 BPM | ||
Auferstehungshistorie, SWV 50: (Introitus) Die Auferstehung unseres Herren Jesu Christi | Heinrich Schütz, Ensemble Polyharmonique | D Minor | 3 | 7A | 134 BPM | ||
The Little Consort, Suite No. 10 in D Minor and D Major: III. Courante | Matthew Locke, Phantasm, Elizabeth Kenny | D♭ Major | 1 | 3B | 86 BPM |