"Harpsichord Concerto, Op. 40 (version for piano and orchestra): I. Allegro molto" by Henryk Górecki, Anna Gorecka, Warsaw Philharmonic Orchestra, Antoni Wit was released on May 1, 2012. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Henryk Górecki, Various Artists, Antoni Wit's "Górecki: Little Requiem for a Certain Polka - Concerto-Cantata - Harpsichord Concerto - 3 Dances" album is number 9 out of 13. Harpsichord Concerto, Op. 40 (version for piano and orchestra): I. Allegro molto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Harpsichord Concerto, Op. 40 (version for piano and orchestra): I. Allegro molto by Henryk Górecki, Anna Gorecka, Warsaw Philharmonic Orchestra, Antoni Wit to be Andante (at a walking pace) because the track has a tempo of 79 テンポ, a half-time of 40テンポ, and a double-time of 158 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave Maria 1 | Rihards Dubra, Voces8 | E Major | 1 | 12B | 141 BPM | ||
Requiem, Op. 9: I. Introit (1961 Version) | Maurice Duruflé, Stephen Cleobury, Choir of King's College, Cambridge, Orchestra of the Age of Enlightenment | F Major | 0 | 7B | 132 BPM | ||
Cold Song’ (What Power Art Thou...) | Henry Purcell, Voces8, Les Inventions, Dingle Yandell | E Minor | 1 | 9A | 134 BPM | ||
Faust / Episode 2: Nachspiel | Karsten Gundermann, Daniel Hope, Deutsches Kammerorchester Berlin, Simon Halsey | C Major | 0 | 8B | 81 BPM | ||
To the Hands: No. 6. I Will Hold You | Caroline Shaw, The Crossing, International Contemporary Ensemble, Donald Nally | D Minor | 1 | 7A | 88 BPM | ||
O vos omnes | Carlo Gesualdo, Daarler Vocal Consort | D♭ Major | 2 | 3B | 120 BPM | ||
Materna Requiem: 1. Introit | Rebecca Dale, Louise Alder, Trystan, Edward Hyde, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell | A Minor | 1 | 8A | 109 BPM | ||
Versa est in luctum | Alonso Lobo, Tenebrae, Nigel Short | G Minor | 1 | 6A | 135 BPM | ||
Pergolesi: Stabat Mater: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I Barocchisti | E Minor | 0 | 9A | 138 BPM | ||
3 Khora (3 Choruses): No. 2. Lyubov Svyataya (Sacred love) | Georgy Sviridov, Ieva Ezeriete, Latvian Radio Choir, Sigvards Kļava | B♭ Minor | 0 | 3A | 65 BPM |