"Løvenskiold: La Sylphide, Act 2: The Witch Scene (Grave - Moderato - Allegro con fuoco)" by Herman Løvenskiold, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra had its release date on July 2, 2007. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Løvenskiold: La Sylphide, Act 2: The Witch Scene (Grave - Moderato - Allegro con fuoco)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Tchaikovsky: The Nutcracker / Lovenskiold: La Sylphide". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Denmark. Løvenskiold: La Sylphide, Act 2: The Witch Scene (Grave - Moderato - Allegro con fuoco) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Løvenskiold: La Sylphide, Act 2: The Witch Scene (Grave - Moderato - Allegro con fuoco) by Herman Løvenskiold, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra having a テンポ of 74 with a half-time of 37 テンポ and a double-time of 148 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La bayadère, Act II: "Variazione Gamzatti" | Silvano Belfiore | A♭ Major | 4 | 4B | 86 BPM | ||
Jazz Suite No. 2: VII. Dance 2 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 2 | 11B | 109 BPM | ||
The Nutcracker, Op. 71: Act II. Closing Waltz And Apotheosis | Ernst Hoffmann, Slovak Radio Symphony Orchestra, Pyotr Ilyich Tchaikovsky | B♭ Major | 2 | 6B | 108 BPM | ||
Act I: Coda (Toreros) (Minkus) | Mariinsky Orchestra | F Major | 3 | 7B | 116 BPM | ||
Ein Sommernachtstraum, Op. 61, MWV M13: Act II: Entr'acte: Scherzo | Felix Mendelssohn, Slovak Philharmonic, Anthony Bramall | F Major | 1 | 7B | 60 BPM | ||
Swan Lake, Op.20, TH.12 / Act 1: Waltz | Vanco Cavdarski, Sydney Symphony Orchestra | A Major | 2 | 11B | 79 BPM | ||
The Nutcracker Suite: Dance Of The Reeds | London Festival Orchestra | D Major | 2 | 10B | 80 BPM | ||
O Holy Night | Adolphe Adam, John Williams | D♭ Major | 1 | 3B | 89 BPM | ||
The Nutcracker, Op. 71: Act II - No. 13, Waltz of the Flowers | Moscow Philharmonic Symphony Orchestra, Kirill Kondrashin | D Major | 1 | 10B | 96 BPM | ||
Smetana : Libuse : Overture to Act 1 | Eva Urbanova | G Major | 1 | 9B | 56 BPM |