"Caprice & Elegy, RT VII/8 (Version for Cello & Piano): No. 1, Caprice" by Frederick Delius, Gerald Peregrine, Antony Ingham was released on May 10, 2019. The duration of Caprice & Elegy, RT VII/8 (Version for Cello & Piano): No. 1, Caprice is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Caprice & Elegy, RT VII/8 (Version for Cello & Piano): No. 1, Caprice's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 16 in Folk Tales by Gerald Peregrine, Antony Ingham. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Caprice & Elegy, RT VII/8 (Version for Cello & Piano): No. 1, Caprice's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Caprice & Elegy, RT VII/8 (Version for Cello & Piano): No. 1, Caprice by Frederick Delius, Gerald Peregrine, Antony Ingham is Allegro (fast, quick, and bright), since this song has a tempo of 127 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto: IV. | Frederick Delius, Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | C Major | 1 | 8B | 171 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 33: I. Allegro | Nikolai Medtner, Neeme Järvi, London Philharmonic Orchestra, Geoffrey Tozer | G Major | 2 | 9B | 90 BPM | ||
24 Preludes, Op. 11: No. 13 in G-Flat Major | Alexander Scriabin, Evgeny Zarafiants | F♯ Major | 0 | 2B | 136 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: II. Villanella (Quadro III | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 136 BPM | ||
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 110 BPM | ||
Ziloti: Kaddisch, Mélodie hébraïque in C Minor | Maurice Ravel, Bertrand Chamayou | C Minor | 0 | 5A | 133 BPM | ||
Caprice & Elegy, RT VII/8 (Version for Cello & Piano): No. 2, Elegy | Frederick Delius, Gerald Peregrine, Antony Ingham | D Major | 0 | 10B | 169 BPM | ||
La Scandinavie: III. Polska norvégien | Percy Grainger, Andreas Brantelid, Christian Ihle Hadland | D Major | 0 | 10B | 87 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 4, Lento "She Borrowed Some of Her Mother's Gold" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E Minor | 0 | 9A | 73 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM |