Birgit Nilsson, Janos Solyom's 'Six Songs, Op. 17:2 Ständchen' came out on July 5, 2011. The duration of Six Songs, Op. 17:2 Ständchen is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Six Songs, Op. 17:2 Ständchen's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 39 in Birgit Nilsson's Greatest Songs and Arias by Birgit Nilsson. Six Songs, Op. 17:2 Ständchen is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Six Songs, Op. 17:2 Ständchen by Birgit Nilsson, Janos Solyom is Andante (at a walking pace), since this song has a tempo of 86 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucia di Lammermoor / Act 1: "La pietade in suo favore" | Gaetano Donizetti, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 2 | 8B | 123 BPM | ||
Romeo and Juliette, Act III: Ah! jour de deuil et d'horreur et d'alarmes | Charles Gounod, Roberto Alagna, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
Four Songs, Op 27:1 Ruhe, Meine Seele | Birgit Nilsson, Janos Solyom | F Major | 1 | 7B | 87 BPM | ||
Jenufa / Act 3: Odesli | Leoš Janáček, Wiesław Ochman, Elisabeth Söderström, Eva Randová, Wiener Philharmoniker, Sir Charles Mackerras | B♭ Major | 2 | 6B | 82 BPM | ||
Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Gloire! gloire à Jupiter (Pluton/Les dieux/L'Opinion Publique/Jupiter/Orphee/Mercure/Cupidon/Diane/Venus) | Jacques Offenbach, Laurent Naouri/Jean-Paul Fouchécourt/Yann Beuron/Eva Podles/Patricia Petibon/Jennifer Smith/Véronique Gens/Etienne Lescroart/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Min, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | A♭ Major | 1 | 4B | 93 BPM | ||
Die Frau ohne Schatten, Op. 65, TrV 234 / Act 1: Was wollt' ich hier? - Live | Richard Strauss, Birgit Nilsson, Ruth Hesse, Vienna State Opera Orchestra, Karl Böhm | B♭ Major | 3 | 6B | 98 BPM | ||
Die Frau ohne Schatten, Op. 65, TrV 234 / Act 1: Dieb! Da nimm!...Reiss ihn nach hinten...Zu hilfe" - Live | Richard Strauss, Hans Helm, Lorenzo Alvary, Murray Dickie, Birgit Nilsson, Walter Berry, Vienna State Opera Orchestra, Karl Böhm | B♭ Minor | 3 | 3A | 107 BPM | ||
Lucia di Lammermoor / Act 3: "Spargi d'amore pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 1 | 8B | 126 BPM | ||
Six Songs, Op 36:4 Säf, Säf, Susa (Rushes, Whisper!) | Birgit Nilsson, Janos Solyom | F Major | 1 | 7B | 87 BPM | ||
La traviata / Act III: "Signora" - "Che t'accadde?" - "Parigi, o cara, noi lasceremo" | Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber | D♭ Major | 1 | 3B | 102 BPM |