"Dhyana" by John Tavener, Nicola Benedetti, London Philharmonic Orchestra, Andrew Litton was released on January 1, 2007. Dhyana is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. This song is part of Vaughan-Williams and Tavener by John Tavener, Nicola Benedetti. The song's track number on the album is #3 out of 8 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Dhyana is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Dhyana by John Tavener, Nicola Benedetti, London Philharmonic Orchestra, Andrew Litton has a tempo of 92 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Dhyana being at 92 テンポ, the half-time would be 46 テンポ with a double-time of 184 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Akhmatova Requiem: XV. — - Live | John Tavener, Phyllis Bryn-Julson, John Shirley-Quirk, BBC Symphony Orchestra, Gennady Rozhdestvensky | G Minor | 1 | 6A | 165 BPM | ||
Abodah (God's Worship) (Arr. for Cello) | Ernest Bloch, Sheku Kanneh-Mason | D Minor | 2 | 7A | 110 BPM | ||
Recomposed By Max Richter: Vivaldi, The Four Seasons: Autumn 2 - 2012 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | D Major | 1 | 10B | 88 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 1, Adagio "Lovely on the Water" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E Minor | 0 | 9A | 69 BPM | ||
Ave Maria | Josquin des Prez, Bremen Weser-Renaissance, Manfred Cordes | B♭ Major | 1 | 6B | 66 BPM | ||
Nuper rosarum flores | Guillaume Dufay, Pomerium, Alexander Blachly | D Minor | 1 | 7A | 71 BPM | ||
Toccata arpeggiata | Giovanni Girolamo Kapsberger, Paul O'Dette | D Minor | 2 | 7A | 87 BPM | ||
3 extraits de la Messe des Morts: Pie Jesu | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | C Minor | 1 | 5A | 82 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM | ||
Ma fin est mon commencement | Jackson Hill, New York Polyphony | A♭ Minor | 1 | 1A | 129 BPM |