"Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante - Live" by Pyotr Ilyich Tchaikovsky, Anne-Sophie Mutter, Wiener Philharmoniker, Herbert von Karajan was released on January 1, 1988. Since Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante - Live is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 3 in the song's album "Tchaikovsky: Violin Concerto in D Major, Op. 35". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante - Live by Pyotr Ilyich Tchaikovsky, Anne-Sophie Mutter, Wiener Philharmoniker, Herbert von Karajan having a テンポ of 67 with a half-time of 34 テンポ and a double-time of 134 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8 in G Minor, Op. 88, B. 163: I. Allegro con brio | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 139 BPM | ||
Cinderella, Op.87: 13. Summer Fairy | Sergei Prokofiev, Cleveland Orchestra, Vladimir Ashkenazy | F Major | 1 | 7B | 74 BPM | ||
Violin Concerto No. 1 In D, Op. 19: 3. Moderato | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | G Minor | 1 | 6A | 65 BPM | ||
Piano Concerto No.2 in B-Flat Major, Op. 83/III. Andante | Johannes Brahms, Igor Levit, Christian Thielemann, Wiener Philharmoniker | B♭ Major | 0 | 6B | 87 BPM | ||
Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 88 BPM | ||
Violin Concerto No. 1 in A Minor, BWV 1041: II. Andante | Johann Sebastian Bach, Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane | C Major | 1 | 8B | 85 BPM | ||
Symphony No.5 In C Minor, Op.67: 4. Allegro | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | C Major | 3 | 8B | 86 BPM | ||
Symphony No. 4 In F Minor, Op. 36, TH.27: 3. Scherzo. Pizzicato ostinato - Allegro | Pyotr Ilyich Tchaikovsky, Wiener Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 156 BPM | ||
Capriccio, Op. 85, TrV 279: Mondscheinmusik | Richard Strauss, Wiener Philharmoniker, André Previn | A Major | 1 | 11B | 100 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM |