On August 1, 1999, the song "Der Stein der Weisen, Act II: Finale. Miau! Miau!" was released by Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Kevin Deas, Jane Giering-De Haan. With Der Stein der Weisen, Act II: Finale. Miau! Miau! being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman's "Mozart, Henneberg, Schack, Gerl & Schikaneder: Der Stein der Weisen" album is number 46 out of 54. On top of that, United States appears to be the country where this track was created. Der Stein der Weisen, Act II: Finale. Miau! Miau! is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Der Stein der Weisen, Act II: Finale. Miau! Miau! by Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Kevin Deas, Jane Giering-De Haan to be Andante (at a walking pace) because the track has a tempo of 77 テンポ, a half-time of 38テンポ, and a double-time of 154 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grande Messe en ut mineur, K. 427: Et incarnatus est | Wolfgang Amadeus Mozart, Orchestre & Chorale Paul Kuentz, Barbara Schlick, Mechthild Georg, Alexander Stevenson, Philip Langshaw | A Minor | 3 | 8A | 168 BPM | ||
Siehe meine Knechte | Simon Peter, Boston Baroque, Martin Pearlman, Sharon Baker | E♭ Major | 1 | 5B | 127 BPM | ||
Heiliger Herre Gott | Anonymous, Boston Baroque, Martin Pearlman | E♭ Major | 0 | 5B | 82 BPM | ||
Missa Brevis In B Flat Major Kv 275: Kyrie | Nicol Matt, Anja Bittner, Jens Wollenschläger, Reinhard Geller, Gabriele Wunderer, Wolfgang Amadeus Mozart, Kurpfälzisches Kammerorchester Mannheim, Nordic Chamber Choir, Robert Morvaj, Manfred Bittner | B♭ Major | 2 | 6B | 84 BPM | ||
Symphony No. 2, Op. 52, "Lobgesang": V. Sopran I und II solo: Ich harrete des Herrn / Chor: Wohl dem, der seine Hoffnung setzt auf den Herrn | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Chen Reiss, Marie Henriette Reinhold, Patrick Grahl, Zürcher Sing-Akademie, Florian Helgath | E Major | 1 | 12B | 72 BPM | ||
Mein Herz dichtet ein feines Lied | Jeremiah Dencke, Boston Baroque, Martin Pearlman, Cyndia Sieden | B♭ Major | 0 | 6B | 110 BPM | ||
The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": I. Allegro non molto | Antonio Vivaldi, Christina Day Martinson, Boston Baroque, Martin Pearlman | D♭ Minor | 1 | 12A | 132 BPM | ||
Kapitel 1 - Die Hochzeit des Figaro - Opera re:told, Band 2 | Emanuel Schikaneder, Frederic Böhle, Felix Löffler | F Minor | 4 | 4A | 129 BPM | ||
Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act II: Seid uns zum zweiten Mal willkommen (Knaben) | Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch | A Major | 0 | 11B | 67 BPM | ||
Le nozze di Figaro, K.492 / Act 2: Vieni, cara Susanna (Contessa, Susanna, Cherubino) | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Dawn Upshaw, Ferruccio Furlanetto, Metropolitan Opera Orchestra, James Levine | C Major | 1 | 8B | 111 BPM |