Yumi Matsutoya made "離れる日が来るなんて" available on December 1, 2020. The duration of 離れる日が来るなんて is about 3 minutes long, at 3:21. Based on our data, "離れる日が来るなんて" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 深海の街, so we believe that "離れる日が来るなんて" is a single. In terms of popularity, 離れる日が来るなんて is currently below average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of 離れる日が来るなんて by Yumi Matsutoya is Andante (at a walking pace), since this song has a tempo of 100 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
愛 Know マジック | Kome Kome Club | D Major | 9 | 10B | 112 BPM | ||
そして僕は途方に暮れる | Yoshiyuki Ohsawa | C Major | 8 | 8B | 120 BPM | ||
遠くで汽笛を聞きながら | Alice | D♭ Major | 6 | 3B | 146 BPM | ||
ルージュの伝言 - 2022 mix | Yumi Arai | F Major | 3 | 7B | 73 BPM | ||
ハロー・グッバイ | Yoshie Kashiwabara | F Major | 6 | 7B | 139 BPM | ||
今夜だけきっと | Stardust Revue | A♭ Major | 7 | 4B | 119 BPM | ||
白いパラソル | Seiko Matsuda | B Major | 5 | 1B | 141 BPM | ||
シングルベッド | Sharam Q | D♭ Major | 5 | 3B | 82 BPM | ||
セカンド・ラブ | Takao Kisugi | D Minor | 4 | 7A | 125 BPM | ||
ウォンテッド(指名手配) | Pink Lady | B Minor | 9 | 10A | 131 BPM |