Pyotr Ilyich Tchaikovsky, Heath Quartet's 'String Quartet No. 1 in D Major, Op. 11, TH 111: IV. Finale (Allegro giusto)' came out on November 18, 2016. Since String Quartet No. 1 in D Major, Op. 11, TH 111: IV. Finale (Allegro giusto) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Tchaikovsky: String Quartets No. 1 & No. 3". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. The popularity of String Quartet No. 1 in D Major, Op. 11, TH 111: IV. Finale (Allegro giusto) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With String Quartet No. 1 in D Major, Op. 11, TH 111: IV. Finale (Allegro giusto) by Pyotr Ilyich Tchaikovsky, Heath Quartet having a テンポ of 174 with a half-time of 87 テンポ and a double-time of 348 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 150 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: 1. Moderato | Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis | C Minor | 1 | 5A | 55 BPM | ||
Solfeggietto in C minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Dinara Klinton | F Minor | 2 | 4A | 122 BPM | ||
Giselle: No. 21 - Andante | Adolphe Adam, London Symphony Orchestra, Michael Tilson Thomas | E♭ Major | 0 | 5B | 73 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Five Pieces For Two Violins and Piano: I. Prelude | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Major | 0 | 9B | 85 BPM | ||
Violin Concerto No. 3: III. Vivo | Grazyna Bacewicz, Łukasz Borowicz, Polish Radio Symphony Orchestra, Krakow, Joanna Kurkowicz | F♯ Major | 0 | 2B | 71 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM |