"Tristan und Isolde: Act III: Mild und leise wie er lachelt, "Liebestod" (Isolde)" by Seattle Symphony Orchestra was released on September 4, 2012. Since Tristan und Isolde: Act III: Mild und leise wie er lachelt, "Liebestod" (Isolde) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Orchestral Excerpts, Vol. 3 by Seattle Symphony Orchestra. The song's track number on the album is #6 out of 6 tracks. Tristan und Isolde: Act III: Mild und leise wie er lachelt, "Liebestod" (Isolde) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tristan und Isolde: Act III: Mild und leise wie er lachelt, "Liebestod" (Isolde) by Seattle Symphony Orchestra has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Tristan und Isolde: Act III: Mild und leise wie er lachelt, "Liebestod" (Isolde) being at 78 テンポ, the half-time would be 39 テンポ with a double-time of 156 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Incredible Flutist: Introduction - Siesta in the Market Place | Walter Piston, Scott Goff, Seattle Symphony Orchestra, Gerard Schwarz | D♭ Major | 0 | 3B | 70 BPM | ||
Symphony in C Major, Op. 46: III. Presto | Seattle Symphony Orchestra, Hans Pfitzner, Gerard Schwarz | G Major | 1 | 9B | 87 BPM | ||
Symphony No. 3, Op. 33: I. Andante lamentando - Agitato | Howard Hanson, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 92 BPM | ||
Masques et bergamasques Suite, Op. 112: I. Ouverture: Allegro molto vivo | Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot | F Major | 1 | 7B | 133 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
The Snow Maiden Suite: II. Danse des oiseaux (Dance of the Birds) | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Minor | 3 | 6A | 136 BPM | ||
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
6 Violin Sonatas, Op. 10b No. 2 in G Major, J. 100: II. Adagio | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | C Minor | 0 | 5A | 81 BPM | ||
Abdelazer: Rondeau | Henry Purcell, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 66 BPM |