"7 Preludes, Op. 6: Prelude No. 4 in B Major" by Sergei Lyapunov, Marco Rapetti was released on January 1, 1999. With 7 Preludes, Op. 6: Prelude No. 4 in B Major being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Sergei Lyapunov, Marco Rapetti's "Lyapunov: Piano Works" album is number 4 out of 24. On top of that, Italy appears to be the country where this track was created. Based on our statistics, 7 Preludes, Op. 6: Prelude No. 4 in B Major's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 7 Preludes, Op. 6: Prelude No. 4 in B Major by Sergei Lyapunov, Marco Rapetti to be Allegro (fast, quick, and bright) because the track has a tempo of 151 テンポ, a half-time of 76テンポ, and a double-time of 302 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fire Pianostykker, Op. 9: III. Berceuse | Signe Lund, Rune Alver | G Minor | 2 | 6A | 120 BPM | ||
Preludio de Sofía | José María Vitier, Carlos Manuel Vargas | A Major | 1 | 11B | 69 BPM | ||
Albumblatt (After Piano Sonata No. 30 in E Major, Op. 109) | Ludwig van Beethoven, See Siang Wong | E Minor | 1 | 9A | 68 BPM | ||
36 Originaltänze, Op. 9, D.365: No. 21 in G Major - No. 22 in G-Sharp Minor - No. 25 in E Major - No. 26 in E Major | Franz Schubert, Pierre-Laurent Aimard | B Major | 0 | 1B | 74 BPM | ||
Davidsbündlertänze, Op. 6: I. Lebhaft | Robert Schumann, Angela Hewitt | E♭ Major | 1 | 5B | 81 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Var. 15, Più vivo scherzando | Sergei Rachmaninoff, Dubravka Tomšič, Ljubljana Symphony Orchestra, Anton Nanut | A Major | 3 | 11B | 106 BPM | ||
愛の夢 | Fujiko Hemming | A♭ Major | 1 | 4B | 73 BPM | ||
Händel Variations & Fugue, Op. 24: Variation XXI. Dolce | Johannes Brahms, Nino Gvetadze | D♭ Minor | 0 | 12A | 82 BPM | ||
Octubre Rosa | Cecilia Foj | F Minor | 2 | 4A | 79 BPM | ||
Schulhof: 3 Bearbeitungen nach Motiven von Johann Strauss, Op. 9: No. 2, Pizzicato-Polka | Otto Schulhof, Aurélien Pontier | D♭ Major | 2 | 3B | 155 BPM |