"Eugene Onegin, Op. 24, TH. 5 / Act I: Closing Scene. "A, vot i vi!"" by Pyotr Ilyich Tchaikovsky, Ruthild Engert-Ely, Rosemarie Lang, Neil Shicoff, Thomas Allen, Staatskapelle Dresden, James Levine was released on July 30, 2022. The duration of Eugene Onegin, Op. 24, TH. 5 / Act I: Closing Scene. "A, vot i vi!" is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Eugene Onegin, Op. 24, TH. 5 / Act I: Closing Scene. "A, vot i vi!"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 69 out of 183 in BBQ Night with Tchaikovsky by Pyotr Ilyich Tchaikovsky, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Eugene Onegin, Op. 24, TH. 5 / Act I: Closing Scene. "A, vot i vi!" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Eugene Onegin, Op. 24, TH. 5 / Act I: Closing Scene. "A, vot i vi!" by Pyotr Ilyich Tchaikovsky, Ruthild Engert-Ely, Rosemarie Lang, Neil Shicoff, Thomas Allen, Staatskapelle Dresden, James Levine is Moderato (at a moderate speed), since this song has a tempo of 116 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prokofiev: Romeo and Juliet, Op. 64, Act 1, Scene 2: Young Juliet | Sergei Prokofiev, André Previn, London Symphony Orchestra | F Major | 0 | 7B | 74 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": II. Largo e pianissimo sempre | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | D♭ Minor | 1 | 12A | 87 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act 3, Appendix II: No. 20a, Russian Dance | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | A Minor | 1 | 8A | 74 BPM | ||
Serenade for Strings in E, Op. 22: 2. Tempo di valse | Antonín Dvořák, Bavarian Radio Symphony Orchestra, Sir Colin Davis | F♯ Minor | 0 | 11A | 93 BPM | ||
3 Nouvelles etudes, Op. posth.: II. Etude No. 26 in A-Flat Major | Frédéric Chopin, Idil Biret | A♭ Major | 0 | 4B | 74 BPM | ||
The Flight of the Bumblebee | Sergei Rachmaninoff, Nikolai Rimsky-Korsakov, Finghin Collins | D Minor | 2 | 7A | 92 BPM | ||
Romeo and Juliet, Op. 64 / Act 1: Dance Of The Knights | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 1 | 8B | 79 BPM | ||
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
Cello Concerto in E Minor, RV 409: II. Allegro | Antonio Vivaldi, Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | E Minor | 2 | 9A | 145 BPM | ||
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM |