"Cavatina for Clarinet and Piano (After G. Verdi's La traviata)" by Domenico Liverani, Corrado Giuffredi, Giuseppe Fausto Modugno was released on October 1, 2012. Since Cavatina for Clarinet and Piano (After G. Verdi's La traviata) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Domenico Liverani, Corrado Giuffredi, Giuseppe Fausto Modugno's "Liverani: Brani per clarinetto e pianoforte" album is number 2 out of 11. On top of that, Germany appears to be the country where this track was created. Cavatina for Clarinet and Piano (After G. Verdi's La traviata) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cavatina for Clarinet and Piano (After G. Verdi's La traviata) by Domenico Liverani, Corrado Giuffredi, Giuseppe Fausto Modugno to be Andante (at a walking pace) because the track has a tempo of 79 テンポ, a half-time of 40テンポ, and a double-time of 158 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Trio in G Major, CD 5: I. Andantino con moto – Allegro appassionato | Claude Debussy, Florestan Trio | C Major | 1 | 8B | 96 BPM | ||
Abbey Road concerto for Violin and Orchestra: X. Because | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 1 | 11B | 136 BPM | ||
Violin Concerto: III. | Frederick Delius, Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | C Major | 2 | 8B | 85 BPM | ||
Trois romances, Op. 22: I. Andante molto | Clara Schumann, Duo Alma | D♭ Major | 0 | 3B | 74 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 16. Allegretto | Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily Sinaisky | F♯ Major | 0 | 2B | 105 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Var. 24, A tempo un poco meno mosso | Sergei Rachmaninoff, Dubravka Tomšič, Ljubljana Symphony Orchestra, Anton Nanut | A Major | 3 | 11B | 106 BPM | ||
Aria | Eugène Bozza, Wonki Lee, Esther Lim | G Minor | 0 | 6A | 65 BPM | ||
Piano Concerto for the Left Hand No. 1: III. Var. 3 | Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane | E♭ Major | 1 | 5B | 109 BPM | ||
Oboe Sextet No. 1 in B-Flat Major, L. 273: III. Finale. Allegretto | Cayetano Brunetti, Il Maniatico Ensemble, Robert Silla, Luis María Suárez, Pablo Martín, Sandra García, Silvina Álvarez, Carla Sanfélix | B♭ Major | 2 | 6B | 140 BPM | ||
Variationen Über Ein Thema Aus Silvana, Op. 33: Thema | Carl Maria von Weber, Martin Klett, Sebastian Manz | F Major | 0 | 7B | 71 BPM |