Mikhail Glinka, Tamara Sinyavskaya, Yevgeny Nesterenko, Mark Ermler, Оркестр Большого театра made "Жизнь за Царя (Иван Сусанин), действие III: Песня Вани "Как мать убили у малого птенца"" available on September 23, 2016. With Жизнь за Царя (Иван Сусанин), действие III: Песня Вани "Как мать убили у малого птенца" being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in Большой театр. Лучшее из архивов "Мелодии", so we believe that "Жизнь за Царя (Иван Сусанин), действие III: Песня Вани "Как мать убили у малого птенца"" is a single. In terms of popularity, Жизнь за Царя (Иван Сусанин), действие III: Песня Вани "Как мать убили у малого птенца" is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Жизнь за Царя (Иван Сусанин), действие III: Песня Вани "Как мать убили у малого птенца" by Mikhail Glinka, Tamara Sinyavskaya, Yevgeny Nesterenko, Mark Ermler, Оркестр Большого театра is Andante (at a walking pace), since this song has a tempo of 105 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Lark | Mikhail Glinka, Julia Sukmanova, Elena Sukmanova | B Minor | 0 | 10A | 132 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | G Major | 1 | 9B | 95 BPM | ||
Solfeggietto in C minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Dinara Klinton | F Minor | 2 | 4A | 122 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM | ||
String Quartet: I. Modéré | Germaine Tailleferre, Fanny Mendelssohn Quartet | G Major | 4 | 9B | 136 BPM | ||
Etude in C-Sharp Minor, Op. 2/1 | Alexander Scriabin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 70 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Mazurka No.36 In A Minor Op.59 No.1 | Frédéric Chopin, Vladimir Ashkenazy | A Major | 0 | 11B | 63 BPM | ||
Five pieces for Two Violins and Piano: I. Prelude- Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B Minor | 0 | 10A | 82 BPM |