"Prélude à l'après-midi d'un faune, L. 86 - Transcription pour deux pianos (1895) - Pt. 6" by Claude Debussy, Philippe Cassard, François Chaplin had its release date on June 11, 2024. With This song being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 53 in Cassard plays Debussy by Claude Debussy, Philippe Cassard. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Prélude à l'après-midi d'un faune, L. 86 - Transcription pour deux pianos (1895) - Pt. 6 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Prélude à l'après-midi d'un faune, L. 86 - Transcription pour deux pianos (1895) - Pt. 6 by Claude Debussy, Philippe Cassard, François Chaplin is Adagio (slowly with great expression), since this song has a tempo of 72 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bagatelles and Impromptus: Longing | Bedřich Smetana, Miroslav Sekera | G Major | 0 | 9B | 75 BPM | ||
6 Morceaux, Op. 83: I. Elégie | Moritz Moszkowski, Seta Tanyel | D♭ Major | 1 | 3B | 74 BPM | ||
Fantasia on Greensleeves (Version for Piano) | Ralph Vaughan Williams, Carmen Stefanescu | C Minor | 0 | 5A | 69 BPM | ||
Cirandas, W220: No.2, A condessa | Heitor Villa-Lobos, Wilhem Latchoumia | B Minor | 3 | 10A | 62 BPM | ||
12 Etudes, Op. 10: No. 6 in E-Flat Minor "Lament" | Frédéric Chopin, Garrick Ohlsson | A♭ Minor | 0 | 1A | 169 BPM | ||
Variations on a Theme by Robert Schumann, Op. 9: Var. 10, Poco adagio | Johannes Brahms, Mari Kodama | D Major | 0 | 10B | 66 BPM | ||
Ice Giant, Pt. 2 | Lofi Mars | G Major | 3 | 9B | 141 BPM | ||
Cantata, BWV 150: Nach dir, Herr, verlanget mich (Arr. Ólafsson for Piano) | Johann Sebastian Bach, Víkingur Ólafsson | B Minor | 0 | 10A | 89 BPM | ||
Vard (Arr. for Piano by Villy Sargsyan) | Romanos Melikian, Yulia Ayrapetyan | D♭ Minor | 1 | 12A | 81 BPM | ||
エルガー:「愛の挨拶」作品12 | Kenji Maeda | B Major | 1 | 1B | 62 BPM |