"Concertino" by Igor Stravinsky, Goldner String Quartet was released on August 6, 2000. Since Concertino is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Szymanowski: String Quartets / Stravinsky: Concertino". In this album, this song's track order is #7. Concertino is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Concertino by Igor Stravinsky, Goldner String Quartet having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | D Minor | 0 | 7A | 94 BPM | ||
String Quartet No.12 in F major, Op.96 - "American" B.179: 2. Lento | Antonín Dvořák, Hagen Quartett | D Minor | 1 | 7A | 88 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: Romeo | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 0 | 8B | 132 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
Daphnis et Chloé, M. 57 / Troisième partie: Danse générale | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | D♭ Minor | 4 | 12A | 173 BPM | ||
The Firebird, KC 10: VII. Danse infernale de tous les sujets de Kachtcheï | Igor Stravinsky, London Symphony Orchestra, Valery Gergiev | E Major | 3 | 12B | 149 BPM | ||
Symphony No.9 In E Minor, Op.95, B. 178 "From The New World": 3. Molto vivace | Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 120 BPM | ||
Symphony in F Major, Op. 8, "The Cotswolds": III. Scherzo: Presto - Allegretto | Gustav Holst, Ulster Orchestra, Joann Falletta | D Minor | 1 | 7A | 80 BPM | ||
Much Ado about Nothing Suite, Op. 11: II. The Maiden in the Bridal Room | Erich Wolfgang Korngold, Marc Albrecht, Orchestre Philharmonique De Strasbourg | D♭ Major | 1 | 3B | 118 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM |