Dinu Lipatti made "Piano Sonata No. 8 in A minor, K. 310 (K. 300d) - Waltz for piano No. 6 in D flat major ("Minute"), Op. 64/1, CT. 212" available on August 28, 2012. With Piano Sonata No. 8 in A minor, K. 310 (K. 300d) - Waltz for piano No. 6 in D flat major ("Minute"), Op. 64/1, CT. 212 being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Dinu Lipatti's "Master Pianist Collection" album is number 79 out of 90. Piano Sonata No. 8 in A minor, K. 310 (K. 300d) - Waltz for piano No. 6 in D flat major ("Minute"), Op. 64/1, CT. 212 is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Piano Sonata No. 8 in A minor, K. 310 (K. 300d) - Waltz for piano No. 6 in D flat major ("Minute"), Op. 64/1, CT. 212 by Dinu Lipatti to be Andante (at a walking pace) because the track has a tempo of 88 テンポ, a half-time of 44テンポ, and a double-time of 176 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint-Saëns: Valse nonchalante in D-Flat Major, Op. 110 | Camille Saint-Saëns, Bertrand Chamayou | C Major | 1 | 8B | 66 BPM | ||
Fauré: Nocturne No. 1 in E-Flat Minor, Op. 33 No. 1 | Gabriel Fauré, Jean-Philippe Collard | A Major | 1 | 11B | 172 BPM | ||
Prelude in F Minor | Clara Schumann, Jozef De Beenhouwer | F Minor | 1 | 4A | 90 BPM | ||
Nocturne No. 14 In C Major, H. 60a: Nocturne No. 14 In C Major | Benjamin Frith, John Field | G Major | 0 | 9B | 73 BPM | ||
Isoldes Liebestod from Tristan und Isolde, S. 447 (after Richard Wagner) | Franz Liszt, Vladimir Horowitz | B Major | 0 | 1B | 68 BPM | ||
Ritual Fire Dance | Manuel de Falla, Arthur Rubinstein | E Minor | 2 | 9A | 150 BPM | ||
Piano Sonata in G Minor: I. Allegro molto agitato | Fanny Mendelssohn, Beatrice Rauchs | D Major | 1 | 10B | 78 BPM | ||
Piano Sonata No. 1 in E-Flat Major, Op. 1, No. 1, H. 8A: II. Rondo: Allegro | John Field, Benjamin Frith | E♭ Major | 1 | 5B | 97 BPM | ||
Piano Concerto in A Minor Op 16: III. Allegro moderato molto e marcato | Edvard Grieg, Dinu Lipatti, Philharmonia Orchestra, Alceo Galliera | C Minor | 1 | 5A | 78 BPM | ||
Après un rêve Op 7 No 1 | Gabriel Fauré, Dinu Lipatti, Antonio Janigro | C Minor | 1 | 5A | 78 BPM |