Johann Strauss II, Willi Boskovsky, Wiener Johann Strauss Orchester's 'Flugschriften, Op.300 'Pamphlets'' came out on May 15, 2001. Since Flugschriften, Op.300 'Pamphlets' is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Strauss II, Willi Boskovsky, Wiener Johann Strauss Orchester's "Johann Strauss II: Waltzes" album is number 8 out of 19. The popularity of Flugschriften, Op.300 'Pamphlets' is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Flugschriften, Op.300 'Pamphlets' by Johann Strauss II, Willi Boskovsky, Wiener Johann Strauss Orchester to be Presto (very, very fast) because the track has a tempo of 184 テンポ, a half-time of 92テンポ, and a double-time of 368 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Habsburg Hoch!, Op. 408: March | Polish State Philharmonic Orchestra, Katowice, Johann Strauss II | E♭ Major | 2 | 5B | 119 BPM | ||
Jazz Suite No. 2: II. Lyric Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Minor | 1 | 5A | 100 BPM | ||
Capriol Suite: 1. Basse-danse | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | D Minor | 2 | 7A | 133 BPM | ||
Concerto No. 21 in C Major for Piano and Orchestra, K. 467: II. Andante | Finghin Collins | F Major | 1 | 7B | 177 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : II. Allegro | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Anna Holbling, Ludovit Kanta, Capella Istropolitana | A Major | 3 | 11B | 131 BPM | ||
Symphony No 40: Molto Allegro | The Slovak Philharmonic Orchestra, Libor Pesek | G Minor | 1 | 6A | 88 BPM | ||
Fantasia on Greensleeves | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 89 BPM | ||
Grainger / Orch. Artok: Country Gardens, BFMS 22 | Percy Grainger, Light Music Society Orchestra, Sir Vivian Dunn | E♭ Major | 2 | 5B | 157 BPM | ||
Die lustige Witwe (The Merry Widow) (arr. R. Hayman): The Merry Widow Waltz | Franz Lehár, Richard Hayman, Richard Hayman Symphony Orchestra | G Major | 3 | 9B | 97 BPM |