"Five Songs, Op. 41:1 Wiegenlied (Lullaby)" by Birgit Nilsson, Geoffrey Parsons was released on July 5, 2011. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 26 out of 39 in Birgit Nilsson's Greatest Songs and Arias by Birgit Nilsson. In terms of popularity, Five Songs, Op. 41:1 Wiegenlied (Lullaby) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Five Songs, Op. 41:1 Wiegenlied (Lullaby) by Birgit Nilsson, Geoffrey Parsons is Moderato (at a moderate speed), since this song has a tempo of 114 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 5/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": XIV. Komm! Komm! | Gustav Mahler, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, City of Birmingham Symphony Chorus, Juliane Banse, London Symphony Chorus | B♭ Minor | 0 | 3A | 79 BPM | ||
Der Rosenkavalier, Op.59 / Act 3: "Marie Theres'!" - "Hab mir's gelobt, Ihn lieb zu haben" | Richard Strauss, Yvonne Minton, Régine Crespin, Helen Donath, Otto Wiener, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 3 | 3B | 90 BPM | ||
Elektra, Op.58, TrV 223: "Elektra! Elektra!" | Richard Strauss, Tom Krause, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti | A♭ Major | 3 | 4B | 90 BPM | ||
Tannhäuser, Act 2: "dich, Teure Halle, Grüss' Ich Wieder" | Birgit Nilsson | E Minor | 2 | 9A | 174 BPM | ||
Madama Butterfly / Act 2: Scuoti quella fronda di ciliegio | Giacomo Puccini, Mirella Freni, Christa Ludwig, Wiener Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 181 BPM | ||
L'elisir d'amore / Act 1: Marcia..."Come Paride vezzoso" | Gaetano Donizetti, Dominic Cossa, Dame Joan Sutherland, Maria Casula, Luciano Pavarotti, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 2 | 8B | 173 BPM | ||
Romeo and Juliette, Act III: Ah! jour de deuil et d'horreur et d'alarmes | Charles Gounod, Roberto Alagna, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
Die Fledermaus / Act II: Nr. 10 Csárdás: "Klänge der Heimat" | Johann Strauss II, Julia Varady, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 82 BPM | ||
Der Rosenkavalier, Op. 59 / Act 2: Ein ernster Tag, ein großer Tag! | Richard Strauss, Wilma Lipp, Franz Kasemann, Gottfried Hornik, Wiener Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 125 BPM | ||
Aida (highlights): Se quel guerrier io fossi...Celeste Aida | Giuseppe Verdi, Birgit Nilsson, Franco Corelli, Grace Bumbry, Mario Sereni, Coro Del Teatro Dell'Opera Di Roma, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma | F Minor | 1 | 4A | 137 BPM |