On January 1, 2007, the song "Concerto grosso in F, Op. 3, No. 4bis: 2. Allegro" was released by George Frideric Handel, English Chamber Orchestra, Raymond Leppard, Leslie Pearson, John Constable. The duration of Concerto grosso in F, Op. 3, No. 4bis: 2. Allegro is about 3 minutes long, at 3:28. Based on our data, "Concerto grosso in F, Op. 3, No. 4bis: 2. Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 104 in the song's album "Ultimate Handel". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Concerto grosso in F, Op. 3, No. 4bis: 2. Allegro is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Concerto grosso in F, Op. 3, No. 4bis: 2. Allegro by George Frideric Handel, English Chamber Orchestra, Raymond Leppard, Leslie Pearson, John Constable having a テンポ of 106 with a half-time of 53 テンポ and a double-time of 212 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: I. | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Anne-Katharina Schreiber, Petra Mullejans | D♭ Major | 3 | 3B | 96 BPM | ||
Du bist die Ruh, Op. 59/3, D. 776 | Franz Schubert, Mischa Maisky, Daria Hovora | E♭ Major | 0 | 5B | 67 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Violin Concerto in D Major, RV 228: I. Allegro non troppo ma vigoroso | Antonio Vivaldi, Marco Fornaciari, Accademia I Filarmonici, Alberto Martini | D Major | 2 | 10B | 123 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM |