Eduard Strauss, Mariss Jansons, Wiener Philharmoniker made "Außer Rand und Band, Polka schnell, Op. 168" available on January 8, 2016. The duration of Außer Rand und Band, Polka schnell, Op. 168 is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Außer Rand und Band, Polka schnell, Op. 168's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "New Year's Concert 2016 / Neujahrskonzert 2016". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. The popularity of Außer Rand und Band, Polka schnell, Op. 168 is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Außer Rand und Band, Polka schnell, Op. 168 by Eduard Strauss, Mariss Jansons, Wiener Philharmoniker having a テンポ of 161 with a half-time of 80 テンポ and a double-time of 322 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in A Minor, Op. 56, MWV N 18, "Scottish": 2. Vivace non troppo - Live | Felix Mendelssohn, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 2 | 7B | 129 BPM | ||
Hungarian Dance No.7 In F | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F Major | 1 | 7B | 81 BPM | ||
Slovanic Dances, Op. 46, B. 83: Slavonic Dance No. 8 in G Minor, Op. 46, No. 8 | Antonín Dvořák, Staatsphilharmonie Rheinland-Pfalz, Leif Segerstam | G Major | 1 | 9B | 145 BPM | ||
La traviata / Act II: "Pura siccome un angelo" | Giuseppe Verdi, Thomas Hampson, Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | A♭ Major | 1 | 4B | 81 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
Siegfried / Zweiter Aufzug: "Fafner! Fafner ! Erwache, Wurm!" | Richard Wagner, Kurt Böhme, Hans Hotter, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti | F♯ Minor | 7 | 11A | 132 BPM | ||
美しく青きドナウ | ウィーンフィルハーモニー管弦楽団 | D Minor | 3 | 7A | 88 BPM | ||
Tchaikovsky: Romeo and Juliet, Fantasy Overture (Excerpt) | Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons | B Minor | 1 | 10A | 79 BPM | ||
Prélude à l’après-midi d’un faune, 900846: Debussy: Prélude à l’après-midi d’un faune | Claude Debussy, Mariss Jansons, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 82 BPM | ||
Spanish Capriccio in A Major, Op. 34: IV. Scena e canto gitano. Allegretto | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | G Major | 3 | 9B | 99 BPM |