"Queen Elizabeth / Maria's Anguish" by Erich Wolfgang Korngold was released on 1940. The duration of Queen Elizabeth / Maria's Anguish is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Queen Elizabeth / Maria's Anguish's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "The Sea Hawk (Original Motion Picture Score)". In this album, this song's track order is #13. The popularity of Queen Elizabeth / Maria's Anguish is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Queen Elizabeth / Maria's Anguish by Erich Wolfgang Korngold having a テンポ of 190 with a half-time of 95 テンポ and a double-time of 380 テンポ, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Glazunov: Raymonda Suite, Op. 57a : Entracte | Alexander Glazunov, Orchestre Philharmonique de Radio France, Paavo Järvi | D♭ Major | 0 | 3B | 69 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Simple Symphony, Op. 4: IV. Frolicsome Finale | Benjamin Britten, English Chamber Orchestra | G Major | 4 | 9B | 78 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
Pictures At An Exhibition: The Old Castle | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 136 BPM | ||
Much Ado About Nothing - Incidental Music: 4. Intermezzo | Erich Wolfgang Korngold, London Symphony Orchestra, André Previn | C Major | 4 | 8B | 94 BPM | ||
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (g) Mit Aufschwung aber nicht eilen. "O Schmerz !" | Gustav Mahler, Sir Simon Rattle, Kate Royal, Magdalena Kozená, Rundfunkchor Berlin, Berliner Philharmoniker | E♭ Major | 4 | 5B | 80 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
Die tote Stadt: Act II: Schäume, schäume | Erich Wolfgang Korngold, Erich Leinsdorf, Hermann Prey, Gabriele Fuchs, Patricia Clark, Willi Brokmeier | D♭ Major | 3 | 3B | 84 BPM |