"Pour le Piano, CD 95: III. Toccata" by Claude Debussy, Mao Fujita was released on January 4, 2019. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vive la France! Debussy & Saint-Saint-Saëns (Edition Ruhr Piano Festival, Vol. 37) [Live] by Various Artists. The song's track number on the album is #15 out of 67 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Pour le Piano, CD 95: III. Toccata's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Pour le Piano, CD 95: III. Toccata by Claude Debussy, Mao Fujita has a tempo of 129 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Pour le Piano, CD 95: III. Toccata being at 129 テンポ, the half-time would be 64 テンポ with a double-time of 258 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Petite Suite No. 1: En bateau (arr. for flute and harp) | Nora Mercz, Claude Debussy, Janos Balint | G Major | 0 | 9B | 173 BPM | ||
...pour appeler la joie (Charme VI) | Federico Mompou, Arcadi Volodos | E Major | 0 | 12B | 0 BPM | ||
Three Visions: II. Summerland | William Grant Still, Natalie Hinderas | G Major | 0 | 9B | 68 BPM | ||
Preludes, Book 1: No. 10: La cathedrale engloutie | Claude Debussy, François-Joël Thiollier | C Major | 0 | 8B | 65 BPM | ||
Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile | Federico Mompou, Daniil Trifonov | A Major | 0 | 11B | 66 BPM | ||
Humoresque, Op. 101, No. 7 | Antonín Dvořák, Kim Dami | F♯ Major | 1 | 2B | 83 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Préludes / Book 1, L. 117: No. 8, The Girl with the Flaxen Hair | Claude Debussy, Ruth Slenczynska | F♯ Major | 0 | 2B | 71 BPM |