"Cavalleria rusticana: "Mama, quel vino è generoso" - "Turiddu?! Che vuoi dire?"" by Pietro Mascagni, Plácido Domingo, Elena Obraztsova, Fedora Barbieri, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre was released on September 27, 1985. With this song being about 5 minutes long, at 5:22, "Cavalleria rusticana: "Mama, quel vino è generoso" - "Turiddu?! Che vuoi dire?"" by Pietro Mascagni, Plácido Domingo, Elena Obraztsova, Fedora Barbieri, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Pietro Mascagni, Plácido Domingo, Elena Obraztsova, Georges Prêtre, Orchestra Del Teatro Alla Scala, Milano's "Mascagni: Cavalleria Rusticana" album is number 20 out of 20. The popularity of Cavalleria rusticana: "Mama, quel vino è generoso" - "Turiddu?! Che vuoi dire?" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cavalleria rusticana: "Mama, quel vino è generoso" - "Turiddu?! Che vuoi dire?" by Pietro Mascagni, Plácido Domingo, Elena Obraztsova, Fedora Barbieri, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre to be Presto (very, very fast) because the track has a tempo of 177 テンポ, a half-time of 88テンポ, and a double-time of 354 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tosca: Vissi d'arte | Giacomo Puccini, Andre Kostelanetz, Columbia Symphony Orchestra | E♭ Major | 3 | 5B | 87 BPM | ||
Florida Suite: By the River | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | E♭ Major | 1 | 5B | 133 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Serse / Act 1, HWV 40: "Ombra mai fu" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 175 BPM | ||
Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Sabine Meyer, Hans Vonk, Staatskapelle Dresden | D Major | 0 | 10B | 93 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Madama Butterfly, Act 2: Humming Chorus | Giacomo Puccini, Opera Queensland Chorus, Johannes Fritzsch, Queensland Symphony Orchestra | B♭ Major | 0 | 6B | 139 BPM | ||
Adagio for Strings and Organ in G Minor | Remo Giazotto, Leon Spierer, David Bell, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 62 BPM | ||
Love's Labour's Lost, Op.28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 99 BPM |