"Piano Concerto No. 2 in C Minor, Op. 50: II. Romanza. Andante con moto" by Nikolai Medtner, Yevgeny Sudbin, North Carolina Symphony Orchestra, Grant Llewellyn was released on November 17, 2009. Since Piano Concerto No. 2 in C Minor, Op. 50: II. Romanza. Andante con moto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Rachmaninov, S.: Piano Concerto No. 4 (original 1926 version) / Medtner, N.: Piano Concerto No. 2". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Sweden. Piano Concerto No. 2 in C Minor, Op. 50: II. Romanza. Andante con moto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 2 in C Minor, Op. 50: II. Romanza. Andante con moto by Nikolai Medtner, Yevgeny Sudbin, North Carolina Symphony Orchestra, Grant Llewellyn having a テンポ of 71 with a half-time of 36 テンポ and a double-time of 142 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
パガニーニによる大練習曲 第6番 | Fujiko Hemming | A Minor | 2 | 8A | 86 BPM | ||
Six Folk Tales, Op. 51: No. 3 in A Major | Nikolai Medtner, Geoffrey Tozer | B Minor | 0 | 10A | 132 BPM | ||
Dvořák: Slavonic Dances, Op. 72, B. 145: No. 2 in E Minor, Allegretto grazioso | Antonín Dvořák, Alexandre Tharaud, Mariam Batsashvili | B Major | 0 | 1B | 95 BPM | ||
La Lisonjera, Op. 50 | Cécile Chaminade, Eric Parkin | F♯ Major | 1 | 2B | 65 BPM | ||
12 Études, Op. 25: No. 5 in E Minor "Wrong Note" | Frédéric Chopin, Yunchan Lim | A♭ Major | 2 | 4B | 75 BPM | ||
Debussy: Pour le piano, L. 95: III. Toccata | Claude Debussy, Alain Lefèvre | F♯ Major | 0 | 2B | 113 BPM | ||
2 Etudes, Op. 29: Etude in D Major, Op. 29, No. 1 | Felix Blumenfeld, Daniel Blumenthal | D Minor | 2 | 7A | 59 BPM | ||
24 Preludes, Op. 11: No. 11 in B Major | Alexander Scriabin, Maria Lettberg | B Major | 1 | 1B | 83 BPM | ||
24 Preludes: No. 16 in B-Flat Minor | Eduard Bagdasarian, Mikael Ayrapetyan | G Major | 1 | 9B | 66 BPM | ||
The Seasons, Op. 37a, TH 135: No. 7, July (The Song of the Reaper) | Pyotr Ilyich Tchaikovsky, Victor Merzhanov | E♭ Major | 2 | 5B | 131 BPM |