Robert Woodcock, Florilegium, Ashley Solomon made "Concerto No. 9 in E Minor: III. Allegro" available on March 24, 2023. The duration of Concerto No. 9 in E Minor: III. Allegro is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Concerto No. 9 in E Minor: III. Allegro's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Spohr Collection, Vol. 2". In this album, this song's track order is #20. Furthermore, we believe that the track originated from Netherlands. The popularity of Concerto No. 9 in E Minor: III. Allegro is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Concerto No. 9 in E Minor: III. Allegro by Robert Woodcock, Florilegium, Ashley Solomon having a テンポ of 175 with a half-time of 88 テンポ and a double-time of 350 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a 5 in E Minor, Op. 5, No. 9: II. Adagio - Presto - Adagio | Tomaso Albinoni, Bela Banfalvi, Budapest Strings, Karoly Botvay | C Major | 3 | 8B | 109 BPM | ||
Sinfonia in F Major, Badley F1: III. Menuet | Leopold Hofmann, Northern Chamber Orchestra, Nicholas Ward | A Minor | 2 | 8A | 80 BPM | ||
Atys, LWV 53, Prologue: Reprise de l'ouverture | Jean-Baptiste Lully, Les Talens Lyriques, Christophe Rousset | B♭ Major | 2 | 6B | 119 BPM | ||
Concerto No. 9 in E Minor: II. Largo | Robert Woodcock, Peter Holman, Rachel Brown, The Parley of Instruments | F Minor | 0 | 4A | 131 BPM | ||
Sonata No. 8 in D Minor: I. Allegro | Leonardo Vinci, Claudio Ferrarini | A Minor | 4 | 8A | 132 BPM | ||
XII sonate a tre o quattro strumenti e basso: Sonata X a 3 | Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor | F♯ Major | 2 | 2B | 88 BPM | ||
March in D Major, BWV Anh. 122 | Carl Philipp Emanuel Bach, Mahan Esfahani | F♯ Major | 0 | 2B | 151 BPM | ||
12 Concerti da Chiesa, Op. 2 No.4: I. Allegro moderato | Evaristo Felice Dall'Abaco, Orchestre De Chambre De Toulouse, Gilles Colliard | E Major | 4 | 12B | 108 BPM | ||
Sammartini: Recorder Concerto in F Major: II. — | Giuseppe Sammartini, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | B♭ Major | 3 | 6B | 105 BPM | ||
12 Concerti grossi After Corelli, No. 4 in F Major, H. 135: IV. Adagio | Francesco Geminiani, Boston Baroque, Martin Pearlman | D♭ Minor | 1 | 12A | 132 BPM |