The Oscar's Orchestra made "Orfeo en los Infiernos-Obertura (De "Can Can")" available on November 25, 2014. With Orfeo en los Infiernos-Obertura (De "Can Can") being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in The Oscar's Orchestra's "Los Clásicos Van al Cine, Vol. 1" album is number 18 out of 24. On top of that, United States appears to be the country where this track was created. The popularity of Orfeo en los Infiernos-Obertura (De "Can Can") is currently below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Orfeo en los Infiernos-Obertura (De "Can Can") by The Oscar's Orchestra to be Presto (very, very fast) because the track has a tempo of 182 テンポ, a half-time of 91テンポ, and a double-time of 364 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Guillermo Tell: Obertura | Gioachino Rossini, Orquesta Sinfónica Chamartín, César Belda | G Minor | 1 | 6A | 122 BPM | ||
La Dolores / Act 1: Jota | Tomás Bretón, Elisabete Matos, Raquel Pierotti, Máire Lang, Santiago Calderon, Tito Beltrán, Cor Del Gran Teatro De Liceu, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Antoni Ros Marbá | A Major | 2 | 11B | 108 BPM | ||
Chorus Of The Hebrew Slaves (Nabucco) | Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum Ljubjlana | D♭ Major | 0 | 3B | 142 BPM | ||
Così fan tutte, K. 588, Act I: "La mia dorabella" (De "La Casa De La Alegría) | The Oscar's Orchestra | G Major | 3 | 9B | 64 BPM | ||
Thais: Meditation | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | D Major | 1 | 10B | 86 BPM | ||
Carmen, Opera Suite No. 2: V. La Garde Montnate (Act 1) | London Festival Orchestra Alfred Scholz | D Minor | 1 | 7A | 115 BPM | ||
El Invierno: Concierto Nº4 En Fa Menor | Hamburg Symphony Orchestra | E♭ Major | 3 | 5B | 137 BPM | ||
Aprendiz De Brujo | Paul Dukas, La Orquesta Y Coros Del Festival De Praga | A♭ Major | 2 | 4B | 115 BPM | ||
El murciélago: Obertura | Waldo De Los Ríos | A Major | 5 | 11B | 80 BPM | ||
Also Sprach Zarathustra, Op. 30: Introduction | SWR Symphony Orchestra | D♭ Major | 2 | 3B | 83 BPM |