Worcester Cathedral Choir, Robert Stringer, Raymond Johnston, Stephen Cleobury, Traditional's 'Joys Seven - Arr. Stephen Cleobury' came out on October 29, 1993. The duration of Joys Seven - Arr. Stephen Cleobury is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Joys Seven - Arr. Stephen Cleobury's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 20 in Christmas Carols by Worcester Cathedral Choir. Joys Seven - Arr. Stephen Cleobury is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Joys Seven - Arr. Stephen Cleobury by Worcester Cathedral Choir, Robert Stringer, Raymond Johnston, Stephen Cleobury, Traditional is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O God Beyond All Praising (Arr. R. Hobby for Choir, Organ & Brass) | Gustav Holst, Andrew Mcshane, Quintessence Brass Ensemble, Notre Dame Liturgical Choir, Mary Catherine Levri | B♭ Major | 1 | 6B | 116 BPM | ||
Seven Poems of Robert Bridges, Op. 17: III. My spirit sang all day | Gerald Finzi, Finzi Singers, Paul Spicer | A Minor | 1 | 8A | 121 BPM | ||
Messiah, HWV 56: Behold the Lamb of God | George Frideric Handel, Worcester Cathedral Choir, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | D♭ Major | 3 | 3B | 121 BPM | ||
When I Survey the Wondrous Cross | Edgar Day, Worcester Cathedral Choir, Adrian Lucas, Sir David Willcocks | D Major | 0 | 10B | 177 BPM | ||
The Fifth Service: II. Nunc dimittis | Thomas Tomkins, Worcester Cathedral Choir, Daniel Phillips, Adrian Lucas | F♯ Minor | 1 | 11A | 93 BPM | ||
Les Chansons des roses: No. 4. La Rose Complete. No. 5. Dirait-on | Morten Lauridsen, Leslie De'Ath, Elora Festival Singers, Noel Edison | D♭ Major | 0 | 3B | 79 BPM | ||
Elgar: Ave Verum Corpus | Edward Elgar, Choir of New College, Oxford, Edward Higginbottom | G Major | 2 | 9B | 172 BPM | ||
Hyfrydol "Alleluia! Sing to Jesus" | Rowland H. Prichard, Choir of St Mary's Cathedral, Edinburgh, Peter Backhouse, Dennis Townhill | F Major | 1 | 7B | 107 BPM | ||
The Eyes of All Wait Upon Thee | Jean Berger, Syracuse University Singers, John Warren | E Minor | 1 | 9A | 132 BPM | ||
Magnificat in G Major | Ivor Atkins, Worcester Cathedral Choir, Daniel Phillips, Adrian Lucas | B♭ Major | 0 | 6B | 122 BPM |