"Gianni Schicchi: O mio babbino caro (arr. E.L. Koljonen)" by Giacomo Puccini, Elissa Lee Koljonen, Robert Koenig was released on January 1, 1999. The duration of Gianni Schicchi: O mio babbino caro (arr. E.L. Koljonen) is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Gianni Schicchi: O mio babbino caro (arr. E.L. Koljonen)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Violin Recital: Koljonen, Elissa Lee - Chopin, F. / Elgar, E. / Rachmaninov, S. / Kreisler, F. / Liszt, F. (Heartbreak - Romantic Encores for Violin) by Elissa Lee Koljonen. The song's track number on the album is #14 out of 17 tracks. Gianni Schicchi: O mio babbino caro (arr. E.L. Koljonen) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Gianni Schicchi: O mio babbino caro (arr. E.L. Koljonen) by Giacomo Puccini, Elissa Lee Koljonen, Robert Koenig has a tempo of 61 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Gianni Schicchi: O mio babbino caro (arr. E.L. Koljonen) being at 61 テンポ, the half-time would be 30 テンポ with a double-time of 122 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liszt: Consolation No.3 in D Flat major | Daniel Pollack | D♭ Major | 0 | 3B | 74 BPM | ||
Czardas for Violin, Cello & Piano | Vincent Monti, Trio Artemis | D Minor | 2 | 7A | 79 BPM | ||
C:11 Somebody to Love | Phillip Keveren, Freddie Mercury, Mercury, Robert Thompson | C Minor | 1 | 5A | 124 BPM | ||
Tosca, Act III: Vissi d’arte | Giacomo Puccini, Luigi Illica, Giuseppe Giacosa, Marina Rebeka, Marco Boemi, Wrocław Opera Orchestra | E Major | 2 | 12B | 88 BPM | ||
Franz von Vecsey : Valse Triste - Violin - Piano | Magnus Ericsson,violin Hans-Olov Mellqvist,piano | C Minor | 1 | 5A | 99 BPM | ||
von Paradies: Sicilienne | Maria Theresia von Paradis, Antonio Janigro, Antonio Beltrami | E♭ Major | 1 | 5B | 91 BPM | ||
Schwanengesang, D. 957: No. 4. Standchen (Leise flehen meine Lieder) (arr. Liszt) | Franz Liszt, Péter Nagy | D Major | 0 | 10B | 137 BPM | ||
Carnival of the Animals: The Swan | Camille Saint-Saëns, Wladislaw Warenberg, Sara Crombach | G Major | 0 | 9B | 89 BPM | ||
Jocelyn, Op. 100: Berceuse (Arr. for Piano 4 Hands) | Benjamin Godard, Zeynep Ucbasaran, Sergio Gallo | F Major | 0 | 7B | 134 BPM | ||
Suite Bergamasque | Claude Debussy, David Oistrakh, Vladimir Yampolsky | D♭ Major | 0 | 3B | 98 BPM |