"Sempre libera - Themes from 'La Traviata': Addio, del passato" by Giuseppe Verdi, Luka Faulisi was released on March 3, 2023. With Sempre libera - Themes from 'La Traviata': Addio, del passato being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 20 in Aria by Luka Faulisi. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Sempre libera - Themes from 'La Traviata': Addio, del passato's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sempre libera - Themes from 'La Traviata': Addio, del passato by Giuseppe Verdi, Luka Faulisi is Allegro (fast, quick, and bright), since this song has a tempo of 127 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasy and Elegy for Violin and Piano: II. Elegy | Niño Tiro, Gina Medina, Mary Anne Espina | F Major | 1 | 7B | 102 BPM | ||
Suite italienne (Arranged for String Orchestra, Harpsichord and Violin by Andreas Fleck): III. Tarantella. Vivace | Igor Stravinsky, Jonian Ilias Kadesha, CHAARTS Chamber Artists | F Major | 4 | 7B | 107 BPM | ||
String Quartet No. 1: I. — | Brian Field, ÉxQuartet | A Minor | 0 | 8A | 123 BPM | ||
12 Klavierstucke, Op. 85: No. 12, Abendlied (Arr. for Cello & Piano) | Robert Schumann, Duo Arnicans | D♭ Major | 0 | 3B | 94 BPM | ||
I vespri siciliani / The Four Seasons: II. Spring (Transcr. Luigi Pecchia for Strings and Piano) | Giuseppe Verdi, I Musici, Francesco Buccarella | G Minor | 1 | 6A | 112 BPM | ||
The School of Velocity, Op. 299: No. 9 in C Major, Molto allegro | Carl Czerny, Vadim Chaimovich | G Major | 2 | 9B | 96 BPM | ||
How Fair This Spot, Op. 21 No. 7 (Transcribed for cello and piano) | Dmitri Shostakovich, Boris Andrianov, Rem Urasin | A♭ Major | 1 | 4B | 107 BPM | ||
Variations sur un thème hongrois, Op. 72: II. Theme. Adagio | Jenő Hubay, BBC Scottish Symphony Orchestra, Hagai Shaham, Martyn Brabbins | E Major | 2 | 12B | 98 BPM | ||
Duet for Violin & Cello in F Major, Op. 6 No. 2: I. Andante | Franz Anton Hoffmeister, John Mills, Bozidar Vukotic | A Minor | 1 | 8A | 144 BPM | ||
Cantabile, Op. 17 | Niccolò Paganini, Roman Kim | D Major | 1 | 10B | 84 BPM |