"Bach: St. Matthew Passion, BWV 244, Pt. 2: No. 68, Final Choir "Wir setzen uns mit Tränen nieder" (Chorus)" by Johann Sebastian Bach, Theo Altmeyer, Franz Crass, Teresa Żylis-Gara, Julia Hamari, Nicolai Gedda, Wolfgang Gönnenwein, Consortium Musicum, Suddeutscher Madrigalchor, Hermann Prey was released on 2006. Since Bach: St. Matthew Passion, BWV 244, Pt. 2: No. 68, Final Choir "Wir setzen uns mit Tränen nieder" (Chorus) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 100 in Alle 100 Goed: Bach by Johann Sebastian Bach, Various Artists. In terms of popularity, Bach: St. Matthew Passion, BWV 244, Pt. 2: No. 68, Final Choir "Wir setzen uns mit Tränen nieder" (Chorus) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach: St. Matthew Passion, BWV 244, Pt. 2: No. 68, Final Choir "Wir setzen uns mit Tränen nieder" (Chorus) by Johann Sebastian Bach, Theo Altmeyer, Franz Crass, Teresa Żylis-Gara, Julia Hamari, Nicolai Gedda, Wolfgang Gönnenwein, Consortium Musicum, Suddeutscher Madrigalchor, Hermann Prey is Moderato (at a moderate speed), since this song has a tempo of 115 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderszenen, Op.15: 10. Fast zu ernst | Robert Schumann, Martha Argerich | A♭ Minor | 0 | 1A | 67 BPM | ||
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
2 Part Invention In F Major, BWV 779: Two-part Invention In F Major, BWV 779 | Janos Sebestyen, Johann Sebastian Bach | F Major | 3 | 7B | 123 BPM | ||
Sonata No. 15 in C Major, II. Andante | Maria João Pires | G Major | 1 | 9B | 108 BPM | ||
Dido and Aeneas, Z. 626: Overture | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | B Minor | 2 | 10A | 91 BPM | ||
Johannes-Passion, BWV 245.1: 39. Coro: Ruht wohl, ihr heiligen Gebeine | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin | D Major | 2 | 10B | 172 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM |