Johann Sebastian Bach, Ingrid Kertesi, Jozsef Mukk, Judit Nemeth, Istvan Gati, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Matyas Antal made "Herz und Mund und Tat und Leben, BWV 147: Aria: Hilf, Jesu, hilf, dass ich auch dich bekenne (Tenor)" available on June 12, 1992. The duration of Herz und Mund und Tat und Leben, BWV 147: Aria: Hilf, Jesu, hilf, dass ich auch dich bekenne (Tenor) is about 3 minutes long, at 3:19. Based on our data, "Herz und Mund und Tat und Leben, BWV 147: Aria: Hilf, Jesu, hilf, dass ich auch dich bekenne (Tenor)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 15 out of 18 in Bach, J.S.: Cantatas, Bwv 80 and 147 by Johann Sebastian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Herz und Mund und Tat und Leben, BWV 147: Aria: Hilf, Jesu, hilf, dass ich auch dich bekenne (Tenor) is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Herz und Mund und Tat und Leben, BWV 147: Aria: Hilf, Jesu, hilf, dass ich auch dich bekenne (Tenor) by Johann Sebastian Bach, Ingrid Kertesi, Jozsef Mukk, Judit Nemeth, Istvan Gati, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Matyas Antal is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: II. Largo | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | F Major | 0 | 7B | 70 BPM | ||
Concerto for Oboe, Violin, Strings and Continuo in C Minor, BWV 1060: I. Allegro (Arr. By Asya Fateyeva) | Johann Sebastian Bach, Asya Fateyeva, Erik Schumann, Ruben Gazarian, Württembergisches Kammerorchester Heilbronn | C Minor | 3 | 5A | 96 BPM | ||
Concerto for two Pianos (Harpsichords) and Orchestra in C Minor, BWV 1060: I. Allegro - Live | Johann Sebastian Bach, Anthony Paratore, Joseph Paratore, Bach Collegium München, Russell Gloyd | A Minor | 3 | 8A | 111 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Nocturne No.5 In F Sharp, Op.15 No.2 | Frédéric Chopin, Maurizio Pollini | F♯ Major | 0 | 2B | 125 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Clarinet Concerto in B-Flat Major: Andante sostenuto | Gaetano Donizetti, Camerata De Budapest, Laszlo Kovacs | B♭ Minor | 0 | 3A | 69 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM |