"Symphony No. 1, "a Sea Symphony": II. On the Beach at Night, alone" by Ralph Vaughan Williams, Joan Rodgers, Christopher Maltman, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Paul Daniel was released on September 1, 2003. Symphony No. 1, "a Sea Symphony": II. On the Beach at Night, alone appears to be safe for all ages as it is not explicit. This song is part of Vaughan Williams: Symphony No. 1, "A Sea Symphony" by Ralph Vaughan Williams, Paul Daniel, Bournemouth Symphony Orchestra. The song's track number on the album is #2 out of 4 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Symphony No. 1, "a Sea Symphony": II. On the Beach at Night, alone is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Symphony No. 1, "a Sea Symphony": II. On the Beach at Night, alone by Ralph Vaughan Williams, Joan Rodgers, Christopher Maltman, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Paul Daniel has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Symphony No. 1, "a Sea Symphony": II. On the Beach at Night, alone being at 82 テンポ, the half-time would be 41 テンポ with a double-time of 164 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Phantasy Quintet: III. Alla Sarabanda: Lento | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | E♭ Minor | 10 | 2A | 123 BPM | ||
Suite No. 3, P. 172: III. Siciliana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | C Minor | 0 | 5A | 93 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Enigma | Edward Elgar, Bournemouth Symphony Orchestra, George Hurst | C Major | 5 | 8B | 132 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Vaughan Williams: Symphony No. 7 "Sinfonia Antartica": V. Epilogue. Alla marcia, moderato | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Chorus, Patricia Rozario, BBC Symphony Orchestra | C Major | 1 | 8B | 109 BPM | ||
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Lo, the full, final sacrifice, Op.26: Amen | Gerald Finzi, Choir of New College, Oxford, Edward Higginbottom | E Major | 1 | 12B | 69 BPM |