Johann Sebastian Bach, Judith Spiesser, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, Arpa Festante Baroque Orchestra, L', Thomas Gropper's 'Herz und Mund und Tat und Leben, BWV 147: Aria: Bereite dir, Jesu, noch itzo die Bahn (Soprano)' came out on January 1, 2013. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 17 in Bach: Cantatas, BWV 12 & 147 by Johann Sebastian Bach, Arcis-Vocalisten Munich, Thomas Gropper. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Herz und Mund und Tat und Leben, BWV 147: Aria: Bereite dir, Jesu, noch itzo die Bahn (Soprano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Herz und Mund und Tat und Leben, BWV 147: Aria: Bereite dir, Jesu, noch itzo die Bahn (Soprano) by Johann Sebastian Bach, Judith Spiesser, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, Arpa Festante Baroque Orchestra, L', Thomas Gropper is Adagio (slowly with great expression), since this song has a tempo of 72 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Handel: Messiah, HWV 56, Pt. 3, Scene 4: Chorus. "Amen" | George Frideric Handel, Amsterdam Baroque Orchestra, Ton Koopman, The Sixteen | D♭ Major | 2 | 3B | 122 BPM | ||
Brandenburg Concerto No. 2 In F Major, Bwv 1047: II. Andante | Cologne Chamber Orchestra, Johann Sebastian Bach | D Minor | 1 | 7A | 124 BPM | ||
Easter Oratorio, BWV 249: Recitative: Indessen seufzen wir (Soprano, Alto) | Johann Sebastian Bach, Hannah Morrison, Meg Bragle, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 4 | 3B | 121 BPM | ||
Requeim in C Minor, ZWV. 48: Kyrie - II | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Paul Dombrecht | D♭ Minor | 2 | 12A | 86 BPM | ||
Missa Subtitulo S. Francisci Seraphici, "St. Francis Mass": Sanctus | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | D Major | 3 | 10B | 141 BPM | ||
Nun freut euch, lieben Christen g'mein, BWV 388 | Johann Sebastian Bach, Ophira Zakai, Vocalconsort Berlin, Daniel Reuss, Elina Albach | F♯ Major | 1 | 2B | 81 BPM | ||
Oster-Oratorium, BWV 249: Sinfonia | Johann Sebastian Bach, Ilse Eerens, Michael Chance, Markus Schäfer, David Wilson-Johnson, Cappella Amsterdam, Orchestra Of The 18th Century, Frans Brüggen | D♭ Major | 2 | 3B | 174 BPM | ||
Languet anima mea BWV deest 1006: III. Recitativo: Amoris tui iaculo | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | ||
Magnificat in D Major, BWV 243: V. Quia fecit mihi magna | Johann Sebastian Bach, Philippe Pierlot, Ricercar Consort, Stephan MacLeod | F♯ Major | 2 | 2B | 80 BPM | ||
Handel: Messiah, HWV 56, Pt. 3, Scene 3: Duet. "O Death, Where Is Thy Sting?" | George Frideric Handel, Amsterdam Baroque Orchestra, Ton Koopman, James Bowman, Paul Elliott | F♯ Minor | 1 | 11A | 86 BPM |