Gaetano Donizetti, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge's 'Lucia di Lammermoor / Act 3: "Fra poco a me ricovero"' came out on January 1, 1972. The duration of Lucia di Lammermoor / Act 3: "Fra poco a me ricovero" is about 3 minutes long, at 3:02. Based on our data, "Lucia di Lammermoor / Act 3: "Fra poco a me ricovero"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 36 in Donizetti: Lucia di Lammermoor by Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Lucia di Lammermoor / Act 3: "Fra poco a me ricovero"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Lucia di Lammermoor / Act 3: "Fra poco a me ricovero" by Gaetano Donizetti, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge is Moderato (at a moderate speed), since this song has a tempo of 120 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Serse, HWV 40, Act I: Frondi tenere e belle ... Ombra mai fù | George Frideric Handel, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 94 BPM | ||
Je crois entendre encore - Voice | Georges Bizet, Salvatore Licitra, Sian Edwards, Orchestra of the Royal Opera House, Covent Garden | G Minor | 1 | 6A | 151 BPM | ||
Turandot / Act 3: Nessun dorma! | Luciano Pavarotti, Dolores O'Riordan, Simon Le Bon, Michael Bolton, Orchestra filarmonica di Torino, Marco Armiliato, Bono, The Edge, Brian Eno, Jovanotti, Meat Loaf, Nenad Bach, Zucchero | D Major | 4 | 10B | 85 BPM | ||
E' Strano... Follie... Sempre Libera - la Traviata Atto I | Renata Tebaldi | C Major | 2 | 8B | 74 BPM | ||
Le violette | Alessandro Scarlatti, Luciano Pavarotti, John Wustman | B♭ Major | 2 | 6B | 107 BPM | ||
Luisa Miller / Act 2: "Quando le sere al placido chiaror d'un ciel stellato" | Giuseppe Verdi, Luciano Pavarotti, Wiener Opernorchester, Sir Edward Downes | A♭ Major | 2 | 4B | 135 BPM | ||
L'elisir d'amore / Act 1: "Che vuol dire codesta suonata?" | Gaetano Donizetti, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | A Major | 2 | 11B | 109 BPM | ||
Chanson de l'adieu - Live in Modena, 1987 | Francesco Paolo Tosti, Luciano Pavarotti, Robert Kettelson | F Major | 2 | 7B | 78 BPM | ||
La figlia del reggimento (Atto 1) (1997 Digital Remaster): Convien partir | Maria Callas, Orchestre De La Société Des Concerts Du Conservatoire, Nicola Rescigno | D♭ Major | 1 | 3B | 87 BPM | ||
La Cenerentola / Act 2: "Son qui" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Gloria Banditelli, Fernanda Costa, Enzo Dara, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E♭ Major | 1 | 5B | 122 BPM |