"Mozart: Violin Concerto No. 3 in G Major, K. 216: II. Adagio" by Wolfgang Amadeus Mozart, Christian Tetzlaff, Deutsche Kammerphilharmonie Bremen had its release date on January 1, 1996. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Christian Tetzlaff, Deutsche Kammerphilharmonie Bremen's "Mozart: The 5 Violin Concertos" album is number 8 out of 18. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Mozart: Violin Concerto No. 3 in G Major, K. 216: II. Adagio is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Violin Concerto No. 3 in G Major, K. 216: II. Adagio by Wolfgang Amadeus Mozart, Christian Tetzlaff, Deutsche Kammerphilharmonie Bremen to be Presto (very, very fast) because the track has a tempo of 180 テンポ, a half-time of 90テンポ, and a double-time of 360 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romance for Violin & Orchestra No.2 F Major Op.50 | Alberto Lizzio, Philharmonica Slavonica, Ivan Czerkov | F Major | 1 | 7B | 98 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Violin Concerto BWV 1042 in E Major: Violin Concerto BWV 1042 in E Major: III. Allegro assai | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz | E♭ Major | 3 | 5B | 99 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged by Wilhelm Kempff: Ronde des esprits bienheureux | Christoph Willibald Gluck, Wilhelm Kempff | F Major | 0 | 7B | 73 BPM | ||
Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 1 | 7A | 61 BPM | ||
Wind Quintet in F Major, Op. 68, No. 2: I. Allegro | Franz Danzi, Michael Thompson Wind Ensemble | F Major | 1 | 7B | 126 BPM | ||
Sonata No. 15 in C Major, II. Andante | Maria João Pires | G Major | 1 | 9B | 108 BPM | ||
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
Cello Concerto No. 1 in C Major, Hob.VIIb:1: II. Adagio | Joseph Haydn, Steven Isserlis, Sir Roger Norrington | D♭ Major | 1 | 3B | 121 BPM |