Édouard Lalo, Estonian National Symphony Orchestra, Neeme Järvi's 'Suite No.1 from "Namouna": No. 2, Sérénade. À F. De Sarasate' came out on January 19, 2024. The duration of Suite No.1 from "Namouna": No. 2, Sérénade. À F. De Sarasate is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Suite No.1 from "Namouna": No. 2, Sérénade. À F. De Sarasate's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Édouard Lalo, Estonian National Symphony Orchestra, Neeme Järvi's "Lalo: Symphony in G Minor, Orchestral Works" album is number 4 out of 16. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Suite No.1 from "Namouna": No. 2, Sérénade. À F. De Sarasate is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite No.1 from "Namouna": No. 2, Sérénade. À F. De Sarasate by Édouard Lalo, Estonian National Symphony Orchestra, Neeme Järvi to be Presto (very, very fast) because the track has a tempo of 179 テンポ, a half-time of 90テンポ, and a double-time of 358 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Czech Suite in D Major, Op. 39, B. 93: I. Preludium. Allegro moderato | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | D Major | 1 | 10B | 81 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: II. Loure | Johann Sebastian Bach, Hilary Hahn | D♭ Minor | 1 | 12A | 133 BPM | ||
Prokofiev: 10 Pieces from Romeo & Juliet, Op. 75: VI. Montagues and Capulets | Sergei Prokofiev, Nikolai Lugansky | F Major | 0 | 7B | 90 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Fauré: Cello Sonata No. 1 in D Minor, Op. 109: II. Andante | Gabriel Fauré, Roland Pidoux, Jean-Claude Pennetier | E♭ Major | 0 | 5B | 121 BPM | ||
Cello Concerto in D Minor: II. Intermezzo: Andantino con moto - Allegro - Presto | Édouard Lalo, Maria Kliegel, Nicolaus Esterhazy Sinfonia, Michael Halasz | D Major | 0 | 10B | 168 BPM | ||
Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): III. Tempo giusto | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Minor | 2 | 8A | 106 BPM | ||
Variations on a Theme of Rossini | Niccolò Paganini, Sebastian Bru | D Major | 2 | 10B | 176 BPM | ||
Rakoczy March from Hungarian Rhapsody No. 15 in A Minor, S. 244 / 15 - Horowitz Version | Franz Liszt, Lang Lang | A Major | 3 | 11B | 83 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM |