"Paraphrase on The Lark by Mikhail Glinka" by Mily Balakirev, Vladimir Stoupel was released on August 18, 2017. Since Paraphrase on The Lark by Mikhail Glinka is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Vladimir Stoupel's "Mikhail Glinka: Variations for Piano" album is number 35 out of 48. On top of that, Germany appears to be the country where this track was created. Paraphrase on The Lark by Mikhail Glinka is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Paraphrase on The Lark by Mikhail Glinka by Mily Balakirev, Vladimir Stoupel to be Adagio (slowly with great expression) because the track has a tempo of 73 テンポ, a half-time of 36テンポ, and a double-time of 146 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata No. 2, Op. 81: III. Allegro con spirito | Nikolai Myaskovsky, Pavel Gomziakov, Andre Korobeinikov | D Minor | 2 | 7A | 78 BPM | ||
12 Etudes, L.136: 11. Pour les Arpèges composés | Claude Debussy, Mitsuko Uchida | D♭ Major | 0 | 3B | 73 BPM | ||
Lyric Pieces Book III, Op. 43: No. 6 To Spring | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Symphony No. 5: IV. Adagietto. Sehr langsam (Arr. Hewitt) | Gustav Mahler, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | F Major | 1 | 7B | 62 BPM | ||
Waltz No. 6 in F-Sharp Minor | Mily Balakirev, Nicholas Walker | B Minor | 1 | 10A | 104 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Symphony No. 2 in D Minor: IV. Finale. Tempo di polacca | Kirill Kondrashin, Moscow Philharmonic Society, Mily Balakirev | B♭ Major | 2 | 6B | 173 BPM | ||
Pièces froides: II. Airs à faire fuir, Modestement | Erik Satie, Bruno Fontaine | G Major | 0 | 9B | 73 BPM | ||
Ravel: Sonatine, M. 40: I. Modéré | Maurice Ravel, Bertrand Chamayou | F♯ Minor | 1 | 11A | 67 BPM |