"The Planets, Op. 32: III. Mercury, the Winged Messenger" by Gustav Holst, The Cambridge Singers, Royal Philharmonic Orchestra, Owain Arwel Hughes was released on September 2, 2016. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "The Planets". In this album, this song's track order is #3. The Planets, Op. 32: III. Mercury, the Winged Messenger is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Planets, Op. 32: III. Mercury, the Winged Messenger by Gustav Holst, The Cambridge Singers, Royal Philharmonic Orchestra, Owain Arwel Hughes having a テンポ of 75 with a half-time of 38 テンポ and a double-time of 150 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No.2 op. 55 Arab Dance ( Allegretto vivace) | Academy of St. Martin in the Fields | A Minor | 2 | 8A | 126 BPM | ||
Symphony No. 6: VI. Allegro | Howard Hanson, Helsinki Philharmonic Orchestra, Leif Segerstam | B♭ Minor | 3 | 3A | 65 BPM | ||
First Suite in E-Flat Major, Op. 28 No. 1, H. 105: I. Chaconne | Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon | E♭ Major | 1 | 5B | 92 BPM | ||
Pictures At An Exhibition: Bydlo | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A Major | 0 | 11B | 101 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Chicago Symphony Orchestra, Sir Georg Solti | C Major | 2 | 8B | 73 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Sheltering Sky | John Mackey, United States Air Force Band, Tim Lautenheiser | E♭ Major | 0 | 5B | 73 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 1 | 4B | 109 BPM | ||
Beauty and the Beast - From "Beauty and the Beast" | Lang Lang, Royal Philharmonic Orchestra, Robert Ziegler | B♭ Major | 8 | 6B | 140 BPM | ||
Doves and the Boy - from 'Castle in the Sky' | Joe Hisaishi, Royal Philharmonic Orchestra | C Major | 1 | 8B | 102 BPM |