Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed's '6 Chansons: No. 4. Printemps' had a release date set for March 26, 2013. With This song being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed's "Hindemith: Messe - Apparebit repentina dies" album is number 8 out of 22. On top of that, Germany appears to be the country where this track was created. 6 Chansons: No. 4. Printemps is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 6 Chansons: No. 4. Printemps by Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed to be Andante (at a walking pace) because the track has a tempo of 89 テンポ, a half-time of 44テンポ, and a double-time of 178 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
Brook Green Suite: Prelude | Gustav Holst, Royal Ballet Sinfonia, David Lloyd-Jones | C Major | 2 | 8B | 137 BPM | ||
Summer Music, Op. 31 | Samuel Barber, Berlin Philharmonic Wind Quintet | E♭ Minor | 0 | 2A | 63 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Serenade for Wind in D minor, Op.44: 1. Moderato, quasi marcia | Antonín Dvořák, Martin Gabriel, Alexander Oehlberger, Peter Schmidl, Andreas Wieser, Stepan Turnovsky, Wolfgang Koblitz, Fritz Faltl, Ronald Janezic, Thomas Joebstl, Wolfgang Vladar, Wolfgang Herzer, Herbert Mayr, Myung-Whun Chung | F Major | 1 | 7B | 104 BPM | ||
Kleine Kammermusik, Op. 24, No. 2: 3. Ruhig und einfach | Paul Hindemith, Omega Ensemble | G Major | 0 | 9B | 116 BPM | ||
Violin Concerto, Op.15: 2. Vivace | Benjamin Britten, Janine Jansen, London Symphony Orchestra, Paavo Järvi | A Minor | 2 | 8A | 101 BPM | ||
Violin Concerto "To the Memory of an Angel": I. Andante – Allegretto | Alban Berg, Berliner Philharmoniker, Frank Peter Zimmermann, Kirill Petrenko | G Major | 1 | 9B | 70 BPM | ||
Organ Concerto in G Minor, FP 93: IV. Tempo allegro. Molto agitato | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Minor | 0 | 3A | 133 BPM | ||
Viola Sonata, Op. 11, No. 5: IV. In Form und Zeitmass einer Passacaglia. Das Thema sehr gahalten | Paul Hindemith, Nobuko Imai | B♭ Major | 2 | 6B | 101 BPM |